Main content

Musical Ecstasy

Tom Service explores musical ecstasy from techno to classical, dissecting 'Ecstasio' by the British composer Thomas Ades and talking to the Dutch composer and DJ Junkie XL

Available now

29 minutes

Last on

Fri 7 Oct 2022 16:30
大象传媒 Radio 3

More episodes

Previous

Stormy Weather

Next

Musical Time Travel: Fantasia on a Theme of Thomas Tallis by Vaughan Williams

See all episodes from The Listening Service

Music Played

  • Hector Berlioz

    Symphonie fantastique Op.14

    Performer: Berliner Philharmoniker. Conductor: Sir Simon Rattle.
    • Warner Classics.
    • 2162240.

  • Junkie XL

    Junkie XL: Love like Razorblade

    Performer: Junkie XL.
    • ROADRUNNER.
    • RR 2115 2.

  • Junkie XL

    Junkie XL: Synasthesia

    Performer: Junkie XL.
    • ROADRUNNER.
    • RR 8633-5.

  • Junkie XL

    Junkie XL: Dance U.S.A.

    Performer: Junkie XL.
    • ROADRUNNER.
    • RR 8633-5.

  • John Tavener

    The Protecting veil for cello and string orchestra

    Performer: Steven Isserlis. Orchestra: London Symphony Orchestra. Conductor: Gennady Nikolayevich Rozhdestvensky.
    • VIRGIN.
    • 077775905229.

  • Thomas Ad猫s

    Asyla for orchestra

    Performer: City of Birmingham Symphony Orchestra. Conductor: Sir Simon Rattle.
    • EMI.
    • 5568182.

  • Jean Sibelius

    Symphony no. 7 in C major Op.105

    Performer: Boston Symphony Orchestra. Conductor: Colin Davis.
    • PHILIPS.
    • 4647402.

  • Ludwig van Beethoven

    Quartet in C sharp minor Op.131 for strings

    Performer: Hagen String Quartet.
    • DEUTSCHE GRAMMOPHON.
    • 459 6112.

  • John Adams

    Grand pianola music for wind, 2 pianos, percussion & voices

    Performer: London Sinfonietta. Conductor: John Adams.
    • NONESUCH RECORDS.
    • 0349709896.

Broadcasts

  • Sun 2 Oct 2022 17:00
    大象传媒 Radio 3
  • Fri 7 Oct 2022 16:30
    大象传媒 Radio 3

Why do we call it 'classical' music?

Tom Service poses a very simple question (with a not-so-simple answer).

Six of the world's most extreme voices

From babies to Mongolian throat singers: whose voice is the most extreme of all?

How did the number 12 revolutionise music?

How did the number 12 revolutionise music?

How Schoenberg opened a new cosmos for composers and listeners to explore.

Why are we all addicted to bass?

Why are we all addicted to bass?

Bass is everywhere, but why do we enjoy it? Join Tom Service on a journey of discovery.

Watch the animations

Join Tom Service on a musical journey through beginnings, repetition and bass lines.

When does noise become music?

We like to think we can separate 鈥渘oise鈥� from 鈥渕usic鈥�, but is it that simple?

Podcast