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Pulitzer Prize-winning poet Paul Muldoon is one of a large number of Northern Ireland artists who spent some of their formative years, in the 1970s and 80s, contributing to ´óÏó´«Ã½ Northern Ireland's schools and arts programming. Nobel Laureate, the late Seamus Heaney, Michael Longley and Derek Mahon were amongst a tight-knit group who regularly wrote and narrated scripts and took part in live discussion programmes. Muldoon was a staff producer for thirteen years and agrees with many of his former colleagues that radio played a major role in developing his writing skills with its imaginative pull and the disciplines of clarity, conciseness and use of sound.

Paul and his colleagues created a new, sometimes controversial, wave of programmes exploring identity, religion, language, history and culture – highly contested areas in Northern Ireland - and they are credited with helping their audiences, particularly schoolchildren, come to a better understanding of their divided society.

Northern Ireland's divisions and politics posed huge dilemmas for the ´óÏó´«Ã½, in Belfast and London, from its earliest days. As the corporation marks its centenary, Paul returns to Broadcasting House, in Belfast, to trace some of the landmark programming from this 'contrary region' and reflect on the output he and his colleagues crafted during some of the worst years of the Troubles.

He discusses with his close friend and fellow poet, Michael Longley, and former schools producer, Pat Loughrey, the challenges they faced, and he asks broadcasting historians, Jean Seaton and Gillian McIntosh for their assessments of the contribution poets and writers made to ´óÏó´«Ã½ Northern Ireland over the century.