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With its outrageous audience, pioneering programme, all night film marathons and a particularly vicious house cat, The Scala cinema in London’s King’s Cross blazed a flamboyant trail across the repertory cinema scene of the 70s, 80s and 90s.

As Jane Giles recounts in her book on The Scala, director John Waters describes it as “a country club for criminals and lunatics and people that were high... which is a good way to see movies..." Among that membership were the burgeoning creative filmmakers of the 21st century - Christopher Nolan, Peter Strickland, Joanna Hogg and Ben Wheatley to name a few.

Ellen E Jones separates truth from legend with the man who started it all - film producer and director Stephen Woolley. They discuss the infamous screenings, the intersection of music, politics and film, and the ‘collective of lost souls’ who came together over a shared love of film.

Mark Kermode discusses the age of cinema before video and streaming with film writer and curator Anne Bilson. They remember trekking across London by bus to hunt down one-off screenings, and staying up all night for kung fu specials. Mark then talks to film programmer Andrew Woodyatt about invoking the spirit of The Scala for today’s audiences at his weekly Queer Cinema club, the Pink Palace at the Rio Cinema.

And in this week’s Viewing Note, filmmaker Carol Morley remembers a Scala moment which has haunted her dreams ever since.

Producer: Freya Hellier
A Prospect Street production for ´óÏó´«Ã½ Radio 4