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Joy through Suffering - The ‘Hammerklavier’ Sonata

Donald Macleod explores Beethoven’s late Credo of Joy through Suffering and one of his greatest sonatas – the 'Hammerklavier'.

Donald Macleod explores Beethoven’s late Credo of Joy through Suffering and one of his greatest sonatas – the 'Hammerklavier'.

Beethoven remains one of the most lauded composers in history, famed for both his music, and for his personal triumph as a musician over the adversity of his catastrophic hearing loss. Over the course of this Composer of the Week series, Donald Macleod takes five of Beethoven’s most iconic works, spread out through the composer’s life, and tracks the journey of each of them. Through these stories, Donald discovers both the pieces’ direct importance to the composer, and also finds wider issues which each of them point to in the general life of a complex, and troubled man. From his carefully stage-managed debut on the Viennese scene as a young man, and his steadily increasing anguish at the loss of his hearing, and the betrayal by Napoleon of his political ideals, to the close relationship between Beethoven and his most loyal patron, and the composer’s late credo of joy through suffering which allowed him to continue to flourish artistically despite all of his personal demons.

In Thursday’s programme, Donald explores another troubled period in Beethoven’s life, when the composer was tormented by loneliness, poor health, and his increasing deafness, and had to stop performing. Beethoven also found it difficult to find any artistic inspiration at this time, and struggled to compose. His adoption of a new credo, “Joy through Suffering” revived him creatively, leading to the composition of one of his greatest sonatas – the “Hammerklavier”.

Piano Sonata No 29 in Bb major, Op 106 “Hammerklavier” – II. Scherzo
Murray Perahia, piano

Adelaide, Op 46
Werner Güra, tenor
Christoph Berner, fortepiano

Sonata for Cello and Piano in D major, Op 102
Mischa Maisky, cello
Martha Argerich, piano

An die ferne geliebte, Op 98
Julian Prégardien, tenor
Christoph Schnackertz, piano

Symphony No 8 in F major IV. Allegro Vivace
Gewandhausorchester Leipzig
Riccardo Chailly, conductor

Piano Sonata No 29 in Bb major, Op 106 “Hammerklavier” – IV. Largo – Allegro risoluto
Mitsuko Uchida, piano

Produced by Sam Phillips for ý Audio Wales & West

59 minutes

Music Played

  • Ludwig van Beethoven

    Piano Sonata No 29 in Bb major, Op 106 "Hammerklavier" (2nd mvt, Scherzo)

    Performer: Murray Perahia.
    • DG 4798353.
    • DEUTSCHE GRAMMOPHON.
    • 2.
  • Ludwig van Beethoven

    Adelaide, Op 46

    Performer: Christoph Berner. Singer: Werner Güra.
    • HARMONIA MUNDI : HMC 902217.
    • HARMONIA MUNDI.
    • 8.
  • Ludwig van Beethoven

    Sonata for Cello and Piano in D major, Op 102, No 2

    Performer: Mischa Maisky. Performer: Martha Argerich.
    • DG : 439-9342.
    • DG.
    • 11.
  • Ludwig van Beethoven

    An die ferne Geliebte, op 98

    Performer: Christoph Schnackertz. Singer: Julian Prégardien.
    • Myrios.
  • Ludwig van Beethoven

    Symphony No 8 in F major (4th mvt, Allegro Vivace)

    Orchestra: Gewandhausorchester Leipzig. Conductor: Riccardo Chailly.
    • DECCA : 478 2721.
    • Decca.
    • 10.
  • Ludwig van Beethoven

    Piano Sonata No 29 in Bb major, Op 106 "Hammerklavier" (4th mvt)

    Performer: Mitsuko Uchida.
    • PHILIPS : 475-8662.
    • PHILIPS.
    • 7.

Broadcast

  • Thu 2 Nov 2023 12:00

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