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Collaboration

Kate Molleson and musician Caroline Shaw talk about her work with some of the long-standing groups she belongs to and her role within them as both a performer and a composer.

Kate Molleson and musician Caroline Shaw talk about the artistic possibilities of being a performer and a composer.

At the age of just 30, in 2013 American composer Caroline Shaw made the headlines when she became the youngest person to win a Pulitzer Prize for her vocal work "Partita for Eight Voices". It's a mind-blowing, joyous celebration of every sound and technique the human voice can achieve. The unexpectedly gained Pulitzer could have pigeonholed Shaw's future career, as a "composer", but central to her identity as a creator is the fact that Shaw regards herself as a musician. She's a violinist, a vocalist, producer, and a composer, and it's the sum of all these parts that make up the creative impetus for her music. Blending performance with composition, blurring the lines between different musical genres, Shaw has avoided categorisation in the multiplicity of her enthusiasms. She's worked with rappers Kanye West and Nas, and soprano Ren茅e Fleming, and mezzo-soprano Anne Sofie von Otter. Her more than one hundred works encompass classical works, film scores, vocal music, and performing and working collaboratively, she continues to engage in a diverse range of multimedia projects.

Shaw's passion for music formed early. Born in North Carolina in 1982, Shaw was taught the Suzuki method of violin by her mother from the age of two. Her father, a specialist in respiratory disease, was a keen amateur pianist. Shaw grew up in a culture of community music-making, singing in the church choir and summer camp. Formal studies followed at Rice in performance and Yale in composition, after which she undertook a doctoral programme in composition at Princeton.

Today Kate and Caroline consider the value of working with regular ensembles, and the creative opportunities a collective approach produces.

Plan and Elevation
V: The Beech Tree
Mari Samuelsen, violin

Three Essays
III: Ruby
Calidore String Quartet

The Isle (excerpt)
Roomful of Teeth

In manas tuas for solo cello
Clarice Jensen

Taxidermy
Caroline Shaw, vocals
S艒 Percussion

Blueprint for String Quartet
Aizuri Quartet
Ariana Kim, Miho Saegusa, violins
Ayane Kozasa, viola
Karen Ouzounian, cello

Producer: Johannah Smith

59 minutes

Music Played

  • Caroline Shaw

    Plan & Elevation (The Beech Tree)

    Performer: Mari Samuelson. Ensemble: Scoring Berlin.
    • DEUTSCHE GRAMMOPHON : 486 2095.
    • DEUTSCHE GRAMMOPHON.
    • 5.
  • Caroline Shaw

    Third Essay: Ruby

    Ensemble: Calidore String Quartet.
    • SIGNUM : SIGCD-650.
    • SIGNUM.
    • 7.
  • Caroline Shaw

    The Isle (Prologue; Ariel; Caliban)

    Choir: Roomful of Teeth.
    • NEW AMSTERDAM.
  • Caroline Shaw

    Taxidermy

    Ensemble: S艒 Percussion.
    • NONESUCH : 75597-91788.
    • NONESUCH.
    • 6.
  • Caroline Shaw

    Blueprint

    Ensemble: Aizuri Quartet.
    • NEW AMSTERDAM.
  • Caroline Shaw

    The Evergreen (IV Root)

    Ensemble: Attacca Quartet.
    • NONESUCH.

Broadcast

  • Thu 4 Jan 2024 12:00

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