大象传媒

In the first episode of this series, we look at the work of Johannes Vermeer. His paintings, owned by state and royalty, are possibly the rarest in the world. They have no estimated price tag, because they so rarely come up for auction. There are only around 35 in existence.

Yet this artist, whose blockbuster show in Amsterdam last year was one of the fastest selling in history, died bankrupt and unheralded. Collected only by one family in his hometown of Delft, Vermeer鈥檚 work fell into obscurity, where it remained for 200 years until rediscovered by a French art critic in the 19th century.

Slowly, via critical acclaim and artistic fashion, the profile of Vermeer rose. Later, the arrival of photography meant his quiet portraits could be appreciated by a public whose ways of seeing had changed. American flamboyance, scandal and a best-selling novel ensured that 350 years after his death, the 鈥淪phinx of Delft鈥� is now the standard against which all Old Masters are measured.

Vermeer. Van Gogh. Frida Kahlo. Three of the best-known artists in the world. Their work is reproduced on everything from umbrellas to jigsaw puzzles to fridge magnets. They command record prices in the auction houses and deliver blockbuster shows which sell out immediately.

It wasn鈥檛 always this way, however. Each died with no idea that their work would become so hugely valuable or that it would inspire Hollywood movies and many future generations of artists and fans. Their work was not globally renowned when they were alive. How did they manage to market themselves so well after death? How did their status rise from zero to hero?

In this three-part series, Rosie Millard analyses the legacy of these three artists, all of whom rose to global fame many years after they died. Stepping back in time, she finds the key moments in history that transformed these artists from just dead to Dead Famous.

Presented by Rosie Millard
Producer: Tom Woolfenden
Executive Producer: Kirsten Lass
A Loftus Media production for 大象传媒 Radio 4