Commissions in retirement
Donald Macleod traces the final years for Lou Harrison and his partner William Colvig.
Donald Macleod traces the final years for Lou Harrison and his partner William Colvig.
Lou Silver Harrison was an American, multi-faceted composer who died in 2003. In his music he explored a synthesis of Asian and Western influences, just intonation, and writing for percussion ensemble. He also involved himself in the arts as a performer, dancer, instrument maker, critic, puppeteer, poet, painter and much more. Harrison’s interest in Asian cultures began when he was very young, and remained a significant influence on his work for the rest of his life. He enjoyed working with Gamelan percussion and instruments from Korea or China. With his partner William Colvig, Harrison also made his own instruments including an American Gamelan, for which he composed multiple works. Harrison took lessons with Henry Cowell and Arnold Schoenberg, and also collaborated with John Cage in exploring the possibilities of percussion ensembles. His career as a composer developed in the world of dance and theatre, supplementing his income as a critic and, later, as a teacher.
In today's programme, Lou Harrison retires from teaching, but now found himself so inundated with commissions that he suggested he needed to retire from retirement! However, he found time to enjoy painting, alongside his music. Lou and Bill found themselves in Asia again, where Harrison was invited to write music for some historic instruments in Japan.
Bill had begun to show signs of dementia. His hearing also started to deteriorate, and Lou took up learning sign language in order to communicate with Bill. When Lou needed a pacemaker fitted, he was forced to sell his mother’s house to pay for the doctor’s fees. Commissions still came in for Lou in his later years, including writing a Pipa Concerto, a form of Chinese lute, for the artist Wu Man. He also continued to revise works, including his Mass to St Anthony, the seeds of which were sown in 1939.
O you whom I often and silently come where you are
Rutgers Kirkpatrick Choir
Musicians – not listed?
Patrick Gardner, director
Grand Duo (Polka)
Tim Fain, violin
Michael Boriskin, piano
Fourth Symphony ‘Last Symphony’ (Largo)
California Symphony Orchestra
Barry Jekowsky, conductor
Vestiunt Silve
Emily Golden, mezzo-soprano
Timothy Malish, flute
Janet Lyman Hill, viola
Sarah Adams, viola
Karen Lindquist, harp
Dennis Russell Davies, conductor
Pipa Concerto
Wu Man, pipa
Chicago Symphony Orchestra
Miguel Harth-Bedoya, conductor
Mass to St Anthony (Gloria)
University of California Santa Cruz Chamber Singers
University of California Santa Cruz Percussion Ensemble
Nicole Paiement, conductor
Produced by Luke Whitlock
Last on
More episodes
Next
You are at the last episode
Music Played
-
Lou Harrison
O you whom I often and silently come where you are
Choir: Rutgers University Chorus. Ensemble: Uncredited Musicians. Conductor: Patrick Gardner. -
Lou Harrison
Grand Duo (Polka)
Performer: Tim Fain. Performer: Michael Boriskin. -
Lou Harrison
Symphony No 4 "Last Symphony" (1st mvt, Largo)
Orchestra: California Symphony. Conductor: Barry Jekowsky. -
Lou Harrison
Vestiunt Silve
Performer: Timothy Malish. Performer: Janet Lyman Hill. Performer: Sarah Flower Adams. Performer: Karen Lindquist. Singer: Emily Golden. Conductor: Dennis Russell Davies. -
Lou Harrison
Pipa Concerto
Performer: Wu Man. Orchestra: Chicago Symphony Orchestra. Conductor: Miguel Harth-Bedoya. -
Lou Harrison
Mass to St Anthony (Gloria)
Choir: University of California, Santa Cruz Chamber Singers. Ensemble: University Of California Santa Cruz Percussion Ensemble. Conductor: Nicole Paiement.
Broadcast
- Fri 28 Jun 2024 16:00´óÏó´«Ã½ Radio 3
Vaughan Williams Today
Beethoven Unleashed – the box set
What was really wrong with Beethoven?
Composers A to Z
Who knew? Five eye-opening stories from Composer of the Week
Five reasons why we love Parry's Jerusalem
What is the strange power of Jerusalem which makes strong men weep?
A man out of time – why Parry's music and ideas were at odds with his image...
The composer of Jerusalem was very far from the conservative figure his image suggests.
Composer Help Page
Find resources and contacts for composers from within the classical music industry.