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The grandfather of British Pop Art, Sir Peter Blake is one of most influential and popular artists of his generation. A Royal Academician with work in the national collection, including Tate and the National Portrait Gallery, he is renowned for paintings and collages that borrow imagery from advertising, cinema and music. Having created The Beatles’ Sgt Peppers Lonely Hearts Club Band sleeve in 1967 he became the go-to album designer for other musical artists including The Who, Paul Weller, Madness and Oasis. He was knighted for services to art in 2002.

Sir Peter tells John Wilson how, after a working class upbringing in Dartford, Kent, he won a place at the Royal College of Art alongside fellow students Bridget Riley and Frank Auerbach. He recalls being influenced by early American pop artists including Jasper Johns and Robert Rauschenberg, and how he began making art inspired by everyday popular imagery. He chooses Dylan Thomas's 1954 radio play Under Milk Wood as a work which captivated his imagination and later inspired a series of his artworks based on the characters, and also cites Max Miller, the music hall artist known as 'the Cheeky Chappie'; as a creative influence. Sir Peter remembers how he made the iconic Sgt Pepper sleeve using waxwork dummies and life size cut-out figures depicting well-known people chosen by Peter and The Beatles themselves.

Producer: Edwina Pitman

Archive used:
Under Milk Wood by Dylan Thomas, performed by Richard Burton, ´óÏó´«Ã½ Third Programme, 25 Jan 1954
Max Miller, introduced by Wilfred Pickles at the Festival of Variety, ´óÏó´«Ã½ Light Programme, 6 May 1951
Max Miller archive from Celebration, The Cheeky Chappie, ´óÏó´«Ã½ Radio 4, 3 July 1974
Monitor: 89: Pop Goes The Easel, ´óÏó´«Ã½1, 25 March 1962
Peter Blake: Work in Progress, ´óÏó´«Ã½2, 21 February 1983
Newsnight, ´óÏó´«Ã½2, 7 February 1983
Ian Dury, Peter the Painter