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In the year that Jacques Demy’s beloved Umbrellas of Cherbourg turns 60, Mark Kermode and Ellen E Jones reflect on their favourite aspects of the screen musical.

According to some, we’re currently in the midst of a movie musicals revival, with Jon M Chu’s Wicked hot on the heels of Emila Perez and Joker: Folie à Deux, but will any of them match what Ellen considers to be the pinnacle of the form, the 1950s Hollywood musical?

Her love of the classic MGM musicals primed Ellen to be a huge fan of the TV show Crazy Ex Girlfriend when it came along. This is the musical sitcom that took all of these essential elements of the 1950s Hollywood musical, then recombined them with a very 21st Century approach to relationships and mental health. Ellen speaks with Crazy Ex Girlfriend creator and star Rachel Bloom about Disney, writing jokes for the screen, and spontaneous singing.

But it’s essential to pay proper tribute to the classics, and in particular the work of American lyricist and producer Arthur Freed. Ellen sat down with writer, filmmaker and actor Manuela Lazic to talk about Freed’s masterpiece, 1952’s Singin’ in the Rain which stars Gene Kelly, who also co-directed with Stanley Donen.

And Mark meets Janis Pugh, director of Chuck Chuck Baby, a low budget, British indie charmer set in a chicken processing factory that is deeply influenced by Jacques Demy’s 1964 French hit The Umbrellas of Cherbourg.

Janis Pugh is not alone in her love of The Umbrellas of Cherbourg. It follows the story of two young lovers whose future together is interrupted by the Algerian war, with the French dialogue entirely sung and set perfectly to the music of Michel Le Grand. Writer and editor of Little White Lies, David Jenkins, is a huge fan of Jacques Demy, and he speaks with Mark about the film’s influences and legacy.

Produced by Freya Hellier.
A Prospect Street production for ´óÏó´«Ã½ Radio 4