Black, White and Beethoven
Why is the UK's classical music scene so resolutely white, and how might it evolve?
Britain's music scene today is a rich, multi-cultural feast that draws on talent from all corners of society. Unless, that is, your passion is classical music. In Britain, and across Europe, performers, composers, teachers and institutions remain resolutely, predominantly white.
Why should this be, and is this a concern? Many believe steps to redress this imbalance are now long overdue, and that urgent action is required. But what should these actions be, and would they be successful?
Chi-chi Nwanoku and members of her Chineke! Orchestra, Europe's first professional Black and Minority Ethnic orchestra, talk about their lives in classical music. We also hear from other Black classical musicians about the circumstances of their work.
Joseph Harker explores these issues - taking stock of where we are, and exploring some ideas that could help classical music to engage and reflect the full diversity of contemporary society.
(Photo: Members of the 大象传媒 Symphony Chorus perform during the last night of the Proms at The Royal Albert Hall, 12 Sept 2015. Credit: Justin Tallis/AFP/Getty Images)
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- Wed 15 Jun 2016 02:32GMT大象传媒 World Service Americas and the Caribbean
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