Gramophone
鈥淪uperstar鈥 economics 鈥 how the gramophone led to a winner-take-all dynamic in the performing industry. And innovations have created superstar economics in other sectors too.
鈥淪uperstar鈥 economics 鈥 how the gramophone led to a winner-take-all dynamic in the performing industry. Elizabeth Billington was a British soprano in the 18th century. She was so famous, London鈥檚 two leading opera houses scrambled desperately to secure her performances. In 1801 she ended up singing at both venues, alternating between the two, and pulling in at least 拢10,000. A remarkable sum, much noted at the time. But in today鈥檚 terms, it鈥檚 a mere 拢687,000, or about a million dollars; one per cent of a similarly famous solo artist鈥檚 annual earnings today. What explains the difference? The gramophone. And, as Tim Harford explains, technological innovations have created 鈥渟uperstar鈥 economics in other sectors too.
Producer: Ben Crighton
Editors: Richard Knight and Richard Vadon
(Image: Thomas Edison Phonograph, Credit: James Steidl/Shutterstock)
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Sources and related links
Alfred Marshall - Principles of Economics 1890, cited in Sherwin Rosen 鈥淭he Economics of Superstars鈥, American Economic Review Vol 71.5 Dec 1981
Tim Brooks -聽Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919 University of Illinois Press 2004 p35
Sherwin Rosen -聽鈥淭he Economics of Superstars鈥 American Economic Review Vol 71.5 Dec 1981
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