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Daphne Oram’s visionary Still Point fills the cavernous space of the Royal Albert Hall for the first time in the premiere of a revised realisation based on recently discovered archive material. Composed in 1949 – almost a decade before Oram co-founded the ´óÏó´«Ã½ Radiophonic Workshop – the piece was possibly the first to combine a live orchestra with live electronic manipulations, here played via turntables.