Cooking and Eating God in Medieval Drama
Daisy Black looks at religious imagery, food, anti-Semitism and product placement in medieval mystery plays. Daisy lectures at the University of Wolverhampton & is a storyteller.
Daisy Black looks at religious imagery, food, anti-Semitism and product placement in medieval mystery plays. Eaten by characters, dotted around the stage as saliva-prompting props, or nibbled by audiences - a medieval religious drama is glutted with food but Christianity鈥檚 vision of God as spiritual nutrition could provoke horror and fear as well as hunger. We'll hear about some of the gristly, crunchy medieval episodes of culinary performance as the Essay investigates the relationship between faith and food. In one play, sacramental bread is attacked in a kitchen, drawing disturbing parallels between the Eucharist and cannibalism.
Daisy Black lectures in English at the University of Wolverhampton and performs as a storyteller and freelance theatre director. Her essay was recorded at this year's Free Thinking Festival with an audience at Sage Gateshead.
New Generation Thinkers is a scheme run by 大象传媒 Radio 3 and the Arts and Humanities Research Council to select 10 academics each year who can turn their research into radio.
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