大象传媒

When a meandering phone call from a forgotten actor called Anton Blake Horowitz leads Adam Zmith into an old cinema, he rediscovers a box of old sound recordings. They鈥檙e labelled Eisenstein Project, possibly after Sergei Eisenstein, pioneer of cinema in the Soviet Union in the 1920s. It鈥檚 perfect for Adam, a writer and podcast producer who is looking for a story to work on and pitching to the 大象传媒 for a new series.

Adam meets sound expert Aleks Kolkowski who helps to retrieve the sounds from the old records. He teams up with So Mayer, a writer and researcher who explains more about Eisenstein. He even meets the veteran film director Sally Potter, who visited Eisenstein鈥檚 apartment and has been inspired by his work in making her films such as Orlando from 1992.

Perhaps these lost records are the sound tests for a film that Eisenstein was preparing to make in 1930? Adam returns to Anton, the actor who set him off on this journey and Anton hears something in the old sounds that Adam didn鈥檛...

Credits
Written, produced and edited by Adam Zmith
With story by So Mayer and Adam Zmith
Starring Anton Blake Horowitz
Music by Courtney Pine
Assistant Producers - Tash Walker and Shivani Dave
Researcher - So Mayer
Audio consultant - David Pye
Artwork by Danny Crossley
Production Mentors - Caroline Steel and Andy King
Executive Producers - Khaliq Meer and Leanne Alie
Commissioned for 大象传媒 Sounds Audio Lab by Khaliq Meer

Thanks to
Aleks Kolkowski
Sally Potter
Andrew Woodyatt and everyone at the Rio Cinema
Peninsula Press
The BFI and the BFI National Archive
Axel Kacouti茅
Nikki Meadows
Rebecka 脰berg
Joseph Herscher

Permissions
Clip from Memories of Berlin courtesy of Gary Conklin
Clips from Great Directors: Eisenstein: Part 2 courtesy of 大象传媒
Quote from Sergei Eisenstein, held at Eisenstein Archives at TsGALI (State Archives of Literature and Arts), Moscow, quoted in Sergei Eisenstein: A Life In Conflict by Ronald Bergan, Arcade Publishing, 1997