大象传媒

:: November 2008

If you were around in the 70s you鈥檒l remember 鈥業 Did What I Did For Maria鈥� which is the song that made Tony famous, reaching number two in the charts.

鈥業s This The Way To Amarillo鈥� was originally released in 1971 but it didn鈥檛 have the desired impact. Tonys career highlight in the UK lasted throughout the 70s but it dwindled and he went to Europe. Germany loved the sound of Christie if no one else did.

Made in Sheffield

Over 30 years later Tony reached the top spot [#1] with 'Amarillo' in the UK single chart after Bolton comedian Peter Kay adopted the song in the TV series Phoenix Nights.

The re-release of 鈥楢marillo鈥� brought Tony back home. 2008 could possibly be the year for Tony who is now back in that spotlight which he once held. Why? Because he鈥檚 recorded an album with a difference, named 鈥楳ade in Sheffield.鈥�

This time it鈥檚 business,听with a twist of nostalgia and a passion for music which he thought he had lost. An album of songs created at Yellow Arch Studios [S3] by Sheffield's singer-songwriter Richard Hawley, the man to bring rawness, passion and love back to the old crooner...

Pulling it together

鈥淚 heard Coles Corner by Richard Hawley on the radio one evening and I said, 鈥楾his is the kind of material that I want to be recording, great songs and great production. And my son who was sat next to me said 鈥楻ichard sent you that song three years ago and you listened to about 20 seconds of it and didn鈥檛 want to know.鈥� It was during that Amarillo madness and I was being sent 10 or 20 songs at a time, most of them were garbage.

鈥淚 was still very interested in recording the song despite that and I was recording an album at the time and thought it would maybe make that album. My son rang Richard Hawley's manager and we went to see Richard at a gig in Oxford for a chat.

鈥淲hen I met up with him I told him that I wanted him to produce my version of Coles Corner and he said, 鈥楾ell you what; I鈥檇 like to produce the whole album. Ditch what you鈥檙e doing at the moment and let鈥檚 produce an album full of Sheffield people, writers and bands.鈥�

鈥淚 did doubt if there was enough material, but Richard reassured me and said there was enough to make 10 albums! We sat down and listened to a lot of stuff and blown away by the quality, especially from unknown writers.鈥�

What makes this album different from all of the thousands of albums released every week? Well, this album is pure Sheffield. It does what it says on the tin, Made in Sheffield. The album is 100% Sheffield, right down the original writers. Tony has recorded tracks from the Arctic Monkeys right through to the not-so-known Martin Bragger.

鈥淪heffield has always had its own innovative sound. For example, The Human League when they started, no one else sounded like them, Phil Oakey did some great stuff. I鈥檝e actually covered one of his tracks 鈥楲ouise鈥� but nothing like the original. I鈥檝e done it my way, it鈥檚 stripped down to just a piano, voice and Guy Barker on trumpet and that鈥檚 it! We did it as a sad song, which it is lyrically.鈥�

:: Click here to listen to Tony Christie v the original version which are taken from the album 鈥楳ade in Sheffield.鈥�

The album

鈥淢ade in Sheffield is something that I鈥檝e been waiting to make for 35 years. It鈥檚 finally got me singing stuff I want to sing. Not trying to chase chart success and looking for hits. It鈥檚 an album of great songs on their own merit. It doesn鈥檛 matter if the 大象传媒, DJ鈥檚 or radio stations don鈥檛 like it.

鈥淭ouch wood I think we鈥檝e made an iconic album.鈥�

You are very proud of the fact you have made your music in Sheffield鈥�

鈥淚鈥檝e made a lot of albums and I鈥檝e been satisfied and done a very good job with them. They鈥檝e not always been the songs that I would have chosen to have recorded. I鈥檝e had to some times go with the market flow because of circumstances. I have a family to bring up and pay for things. You have to earn money so you do things not necessarily things that you want to do. I鈥檝e made music that I鈥檓 proud of and some music that I鈥檓 not so proud of.

鈥淢y contribution is always 150% and this project is a way of getting rid of that perception of me.鈥�

Richard Hawley singer, songwriter and the producer behind Tony鈥檚 album 鈥楳ade in Sheffield鈥� has stamped his sound on the album and perhaps brought an edge of 鈥榗ool鈥� to the man who once faded out of the spotlight鈥�

鈥淚 really have to give a lot of credit to Richard. He brought a lot of the table. He pushed me in a direction which nobody has done before. First of all I鈥檝e always been recorded by producers who have used the top end of my voice [high notes]. He鈥檚 the first person who said, 鈥楲istening to you talk, I hear you have a very deep voice. I like that, I want to bring that out in your recordings. I鈥檝e not heard that sound from you before.鈥� He started dropping the keys and explored the bass sound in my voice.

Yellow Arch Studios, S3

鈥淚 have to say thank you because I don鈥檛 have to scream and shout because that really is not the best quality in my voice.鈥�

Is this the way鈥�?

You have to be a brave person to sing 'that' song in front of Tony Christie. What does the man who asked for directions to Amarillo think to the song that revitalised his career?

鈥淲hen people think of me, they think of 鈥業s this the way to Amarillo?鈥� It鈥檚 a great song but it鈥檚 not what I鈥檓 about. To hear an artist you have to forget about the singles and listen to their albums and dig a little deeper to see what they do. You can only really do that by listening to albums. In this album I鈥檝e been given freedom to do stuff that I wanted to do because I would鈥檝e been told that it wasn鈥檛 commercial enough. This is complete un-commercial and the surprising thing is, it鈥檚 getting the best write-ups and hype by the music press that I鈥檝e ever had in my life. I鈥檝e obviously been doing the wrong thing, this is the way I should鈥檝e gone and hopefully the way I should carry on.

鈥淭he song brought me back to the UK. I was living in Spain, I鈥檇 moved away, I was disillusioned in the late 80s. I couldn鈥檛 get a record deal. Nobody wanted to know and the work wasn鈥檛 very good. The work was better away around Europe and popular. It carried on even when it was dead in the 70s over in the UK. It kept me working and kept me going.

鈥淚鈥檓 thankful to Amarillo in a round-about way. It was the excuse I needed to say, 鈥楻ight that鈥檚 it I鈥檓 putting my continental career on the backburner.鈥�

鈥淚 went over to Amarillo in Texas, it鈥檚 a real mid-western town where Route 66 goes through it, an old cowboy town. I was given the freedom of the town.

鈥淭hey鈥檇 never heard of the song over there unbelievably. I listened to all the radio stations there and it鈥檚 pure country music. How can a song that has made the town so famous be unheard of? The website suddenly started receiving lots of hits and wanted to know what Amarillo was and that鈥檚 how it happened.鈥�

What does Sheffield mean to you?

鈥淚 spent my early apprenticeship around the clubs in Sheffield, in the 60s. It was a great learning curve for me. I married a girl in Sheffield, my kids were all born and brought up in Sheffield [they were even 鈥楳ade in Sheffield鈥� too!] I spent the happiest years of my life in Sheffield before I moved away. It is a big deal to me that I made this album and maybe made a few people turn their heads. I thought I would be here for life but things didn鈥檛 turn out that way.鈥�

:: Click here to listen to Tony Christie v the original version which are taken from the album 鈥楳ade in Sheffield.鈥�

:: The album was released November 2008