RICKY: What was it like going to the theatre when William Shakespeare was writing plays?
LEAH: We can take a pretty good guess because, here in London, is a reconstruction of the Globe Theatre - the theatre Shakespeare himself helped to pay for when it was built in 1599.
RICKY: In Shakespeare鈥檚 time there were around 200,000 people living in London. 20,000 of them would go to the theatre every week, which gives you an idea of how popular it was.
LEAH: It didn鈥檛 matter if you were rich or poor 鈥 everyone wanted to go to the theatre because it was the most exciting entertainment of its day.
RICKY: Theatres were open to the elements - but even if it snowed plays transported people to different times and places and made fantastic things seem real. Londoners couldn鈥檛 get enough of it鈥
PATRICK SPOTTISWOODE:So here we are, this is the globe. Bigger than you thought?
It is actually.
You think that in Shakespeare鈥檚 day it might have held up to 3000 people.
We have 6, 700 people standing in this yard, there鈥檚 a fantastic atmosphere, because when you stand you have all this energy. That鈥檚 why children sit at desks at school, to stop them having energy, so when you stand you鈥檝e got quite an uncontrollable energy, so people didn鈥檛 stand like this as if they were at church, they moved around. And they allowed their emotions to go鈥
LEAH: Just like the modern theatre, how comfortable you were and what sort of view you had depended on how much money you could afford to spend.
RICKY: So who would be down here?
PATRICK: Shakespeare called them the groundlings and they paid a penny and they stood on the ground 鈥 they were ground-ling. That was the cheapest place, probably the equivalent of 6 or 7 pounds today, so even cheaper than going to the cinema, so this was really popular entertainment 鈥 it was like a game, it was a play house, it was a house for play鈥 So it was quite cool, I mean, sometimes in theatres you see classes of children and they鈥檙e thinking, how can I get out without my teacher noticing. I think in Shakespeare鈥檚 time, it was how can I get in without my teacher noticing?
And who else would be filling the seats in the theatre?
As you went higher up you paid more money. At the top you were actually removed from the smelly yard. Sometimes the groundlings were called penny stinkards, so the higher you went the higher you were in society. But the most expensive seats were up there, what we call the lords鈥 rooms.
So the audience sat behind the stage? Wouldn鈥檛 they just see the back of an actor鈥檚 head?
Well they might, but the point is they could be seen鈥
They were showing off.
There was a bit of showing off.
RICKY: The actors who worked in the Globe theatre were known as the Queen鈥檚 Men when Elizabeth I was alive. When she died and James VI of Scotland became James I of England, they changed their name to the King鈥檚 Men鈥hich makes sense.
LEAH: And that鈥檚 the point 鈥 they were just men, all of them. Women didn鈥檛 act in Shakespeare鈥檚 day 鈥 it was thought to be unladylike and just not done. But it meant that all the women鈥檚 parts in a play had to be played by men鈥
RICKY: So how did men become women at the Globe? I鈥檓 about to find out鈥
LEAH: Just like when we watch TV today, theatre audience in Shakespeare鈥檚 time wanted to see amazing things happen.
EXTRACT: A Midsummer Night鈥檚 Dream.
PUCK: 鈥淔or I must now to Oberon鈥︹
FARAH KARIM-COOPER:If you鈥檙e sitting somewhere like where we are now you can鈥檛 really see that there鈥檚 a trap door in the ceiling鈥nd you can鈥檛 really see that there鈥檚 a trapdoor in the floor鈥o if some devils emerge from the Hell area under the stage, they鈥檇 emerge with a puff of smoke and loud banging noises. Or you might see a god being lowered from the stage canopy and that would be quite spectacular as well, with fantastic costumes and make-up.
RICKY: Shakespeare鈥檚 plays at the Globe were as much about showmanship and excitement as they were about beautiful writing and great stories.
MICHAEL ROSEN:The amazing thing about Shakespeare is we鈥檝e got these great big books full of plays and I sometimes think it鈥檚 like you鈥檝e got this special magnifying glass where you can look into this time in the past and see how people thought and behaved鈥ou can come to a place like this and see it acted out in front of you鈥 think it鈥檚 pure magic.
LEAH: Suppose you were designing a theatre in Shakespeare鈥檚 time. What would it look like? How would the actors appear and disappear? What other special effects would you dream up?
RICKY: Why not have a go? Get some drawing paper and pencils and, just like Shakespeare, let your imagination rip.