Caption: Developing Creativity
Claire Pring: I鈥檓 here in Leeds where I鈥檝e been working with a wonderful Year 1 class.
Teacher: I like yours balancing on your arm there Samuel.
Claire: They鈥檙e exploring the senses in their dance lessons, inspired by the theme, 鈥榃ho am I?鈥
Claire: Good morning, everybody.
Children: Good morning!
Claire: Lovely to see you, and what beautiful moves you鈥檙e doing. What a great balance we鈥檝e got there. And I notice some people are balancing the material either on their shoulders, I saw somebody else doing it on their foot. How can you use your material in a really interesting and creative way? Let鈥檚 see what you can do.
Caption: Warm Up ~ Actions & Feelings
Claire: I love what you were just doing there, and I saw a few other people were doing it, finding different ways of pulling their material tight. Sometimes over their heads. I saw some people doing it front of them, behind them, low to the floor. So different ways of pulling your material. But how does that make you feel, when you鈥檙e tight?
Child: Strong.
Claire: Strong, that鈥檚 a great word - makes you feel strong. Let鈥檚 see if we can make some wonderful shapes that are strong. Keep finding different ways of doing it.
Claire: Using the phrase, 鈥榝ind a way of鈥 encourages the children to find a range of responses. Give them the opportunity to experiment throughout the lesson so they don鈥檛 perceive that there is a single right way to respond.
Caption: Warm Up ~ Safety
Teacher: How can we make sure that we are safe? Lola.
Child: Not putting it round your neck.
Teacher: Good girl. We mustn鈥檛 put our material round our neck. If you鈥檙e sitting down, sitting on it, that might be OK, but if you鈥檙e standing on it what might happen? Does anybody know?
Children: You might slip.
Teacher: It might slip, you might lose your balance. Well done.
Caption: Creative Exploration ~ Confidence
Teacher: So, Claire we鈥檝e been using the props and I鈥檝e noticed that the children are becoming a lot more expressive.
Claire: Well, the children who maybe lack confidence in their performance, it can really enable them to extend their range of movement. It makes it feel like the prop is doing the dancing, rather than them themselves.
Teaching Assistant: Stretch, using our toes to stretch.
Caption: Context ~ Words & Feelings
Teacher: So could you show me how you would move your material if you鈥檙e feeling miserable maybe?
Teacher: Very slow. And then how would you show the feeling happy with your material? Very good, very nice.
Claire: So, did you notice the difference there between the happy and the miserable? The happy was quite a big action, it was flowing. Whereas the miserable action, that was a smaller action, it was just going up and down, wasn鈥檛 it? So, we can think about the size of our actions, but also the energy of our actions, the dynamics that it shows us.
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Teacher: Do you remember in our last lesson when we thought of our feeling words? Can anybody remember any?
Child: Happy.
Teacher: Happy, brilliant. Millie, have you got one for us?
Child: Sad.
Teacher: Sad. So that鈥檚 something to think about when you鈥檙e moving your material.
Caption: Creative Exploration ~ Dynamics & Projection
Claire: What about proud. What actions would you do for proud?
Claire: That鈥檚 a lovely big action for proud. Well done.
Claire: Excited.
Claire: Oh, we鈥檝e got a side-to-side motion going on there. Like running on the spot.
Claire: Calm, what could you do for calm?
Claire: We鈥檝e got some swaying actions. We鈥檝e got some smooth movements.
Claire: What about sad? What would sad be like?
Claire: Ooh quite still you are there with your sadness.
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Claire: It might take some time. Your role is to get those ideas flowing and guide by observing, describing and sometimes echoing the movements the children produce.
Teacher:I like the way how MacCauley is scrunching his material up, makes me think you鈥檙e feeling quite secretive, like you鈥檙e trying to hide your material. Can we have a go? I like that Emily.
Teacher: I like how Lucy is really stretching her material high. What are you feeling?
Child: Brave.
Teacher: Brave.
Claire: Expect the unexpected. Just because their response is different from what you had anticipated doesn鈥檛 mean it鈥檚 inappropriate 鈥 time to open up a conversation and get them to explain.
Teacher: How do you think that is making you feel, as you鈥檙e folding your material?
Child: Happy.
Teacher: Is it making you feel happy? What鈥檚 making you feel happy Kevin?
Child: That way that I fold it.
Teacher: The way that you fold it. So, the shapes of the material?
Child: Yeah.
Claire: The next part of the lesson explores how to use their body only, without the material.
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Teacher: What about the word powerful with your material? Oh, I like that Lola and you鈥檙e balancing, fantastic. You look nice and powerful there, Leila, good.
Claire:There鈥檚 a lovely big stretch, look at that one that shows me proud. Taking up lots of space, beautifully big.
Claire: How are you feeling?
Child: Happy.
Claire: Happy, so that鈥檚 a happy spin. Do you want to show me that happy spin once more? Beautiful, you鈥檝e got a big smile on your face.
Caption: Performance ~ Actions & Analysis
Claire: So, what we鈥檙e about to do now is we are going to work with a partner. One of you is going to be the dancer and the other person is going to be the teacher. So if you are the teacher, your job is going to be to say one of the words that we have been working on and your dancer has got to come up with an action for that word.
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Claire: What word do you want him to do?
Child: Strong.
Claire: Strong! Can you show something strong please? Oh yes that鈥檚 definitely strong, beautiful.
Claire: Can you think of another word for him now? Can you see the list of words on there that might help you? What about scared, what do you think he鈥檇 do?
Claire: Scared. Oh, gone small, shrinking in small. Oh, even his knees are knocked together. Brilliant.
Teacher: So, who is the teacher now? Ok, you need to give your partner a word. A feeling word. You choose one from the list? Happy, fantastic do you think you might move your body for happy? That鈥檚 it, good girl.
Caption: Performance ~ Awareness of Partner
Claire: Each pair is going to have one piece of material.
Claire: This time one of the children in each pair is given a piece of material again. The dancer with the material thinks of the emotion they are going to show and the dancer without is asked to identify what it is and then respond to their actions with the same feeling.
Claire: So, what we鈥檙e doing now is if there are two people dancing together, it鈥檚 called a duet.
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Teacher: Does it feel soft when you put it on your arm? Fantastic. Do you think you could do that Sienna? Yeah? So can you pretend you鈥檝e got your material in your hand and do what Amelia鈥檚 doing? Nice and soft on her arm, fantastic.
Teacher: Oh, I like that Freya for secretive. And do you think you can copy then Suzanna, with yours? Fantastic. Do you think you鈥檇 stand up if you were feeling a bit secretive Freya? Or do you think you might鈥
Child: Bend down.
Teacher: 鈥o at a low level, good girl. And can we copy? Brilliant. That was lovely girls.
Claire: You might want to swop over now. The other person has the turn with the material.
Teacher: So, what are we looking for with the duets?
Claire: Well, we鈥檙e hoping that they will challenge one another. That by working together they might move out of their normal movement range, get ideas from the other child, be inspired. Maybe they will mirror them, maybe there will be complementary actions but doing something beyond what they would normally do.
Teaching Assistant: If you were shy MacCauley, how would you demonstrate being shy? Do you want to take the material and show Tyrese your shy face and your shyness? Oh fantastic.
Caption: Cool Down ~ Dynamics
Claire: So, to finish off, to cool us down, we鈥檙e going to think about just two words now. Calm and relaxed. What actions could you do that show me calm and relaxed?
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