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Dates: b. 1745 / d. 1799

Nationality: French

Period: Classical

Genre: Symphony

Key Musical Elements:• Tempo

Joseph Bologne
Image caption,
Joseph Bologne

Naomi Wilkinson explores the music of Saint-Georges using facts, insight and animation.

Behind this classical symphony is an extraordinary story of a composer who took Paris by storm.

A contemporary of Mozart, Saint-Georges became a champion fencer, virtuoso violinist, and a famous composer and conductor. His hands wielded the foil, the bow and made music with equal skill!

Allegro (which means play at a lively speed) is the first movement from this symphony, which premiered in 1779.

Listen out for: The fast and intricate violin parts. This piece is labelled Allegro which means play at a lovely speed. Saint-Georges was one of the best violinists of his time and wrote complex music to show off his skills!

Watch the full performance of Saint-Georges' piece by the ý Symphony Orchestra.

Joseph Bologne, Chevalier de Saint-Georges

Aside from being a champion fencer and a virtuoso violinist and conductor, Saint-Georges has the distinction of being the first classical composer of African ancestry. His parents were a wealthy slave owner on a plantation in the West Indies and a slave. So little is known of his musical training, that several myths have grown up around it.

We do know that he eventually became the leader of a very good Parisian orchestra and performed his concertos with them, improvising solos at several points and wowing the audience. His appearances with this orchestra led to it being declared the best in France. Saint-Georges wrote two symphonies, several concertos, much chamber music and at least 6 operas. He pursued both fencing and music throughout his life, and towards the end of his life finally admitted that music was his true love.

Lesson plans:

Six weeks of learning and activitiesDownload lesson plans for six weeks of learning and activities for Symphony No. 1 in G major – Allegro, as Powerpoint presentations or PDFs. These lesson plans are ideal for music lessons, but you can of course use the Ten Pieces in many other subjects and activities. Take a look at our video masterclasses for inspiration.

To enable all images to work in the Powerpoint files please save the file to your computer. To save to your computer: PC - right-click and save, Mac - ctrl-click and save.

Primary lesson plans:

Lesson plan by Rachel Leach

Suitable for:
*Key Stage 2 in England and Wales
*Second Level, P5-P7 in Scotland
*Key Stage 1/Key Stage 2 in Northern Ireland

Arrangements: Play the piece with simplified parts

All parts have been designed to work together to enable mixed-ability groups to perform together. See more information about the parts below.

Beginner/pre-Grade 1:

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Intermediate/Grade 1-3:

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Grade 4-5:

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Other scores:

Notes from the arranger

By Iain Farrington

All parts have been designed to work together to enable mixed-ability groups to perform together. A certain amount of simplification has been required to adapt the pieces for mixed-ability. Some pieces have been cut to allow a 3-5 minute general duration and to remove especially difficult passages of music. A successful rendering of each piece would require the essential melodic material and bass line which are often in the Grades 4/5 parts, especially in the piano.

There are scores for each difficulty level plus three other scores for each piece:

  1. Grouped according to ability
  2. Grouped according to instrument type
  3. 'Short score' in C, grouped according to ability

There are three ability levels – beginner, intermediate (Grades 1-3) and Grades 4-5.

  • Flute parts can be played by the violins
  • Oboe parts can be played by the flutes and violins
  • Trumpet parts (in Bb) can be played by the clarinets
  • Violin parts can be played by the flutes (except when in the lowest register)
  • The 'percussion' part is a beginner part and can be played on any drum. It adds a simple rhythm layer to each piece. Timpani and full percussion parts are for intermediate or Grades 4/5

Please note:

Symphony No. 1 in G major – Allegro: Note values have been halved (4/4 rather than 2/2) to allow counting in crotchets rather than minims. There is a cut from bar 50 to bar 189 in the original.