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24 September 2014
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Cast you mind back to the Sixties. How big was Top of the Pops?
"When I started on it in 1967 it was enormous. It was one of those shows you didn’t miss because it was tradition, it was like the Ten O’clock News - everybody watched it. I suppose it was one of the biggest shows on television, the ratings were enormous. After you’d done it, if you went out onto the streets the following day, it was one of the shows that everybody had seen."

What was the big attraction of it?

"It was the only music show. It reflected the charts, so you were seeing all the top acts. Every act wanted to be on, so you were seeing the , the , everybody was on it, and it had that very hip image to it."

Do you remember your first Top of the Pops?
No! They all tend to roll into one. The strange thing about doing Top of the Pops is it was rather like being a bingo caller, you were calling out the numbers. One thing I remember about doing Top of the Pops, there was a certain fear in doing it because in those days it was all on videotape and if you made a mistake they had to cut the videotape and it was very, very expensive and that could cost you a re-booking. So the one thing you didn’t want to do was make a mistake."

So it was like doing a live show?

"It was very similar to doing a live show. There’s something very special about doing live television. I prefer that."

What effect did Top of the Pops have on your public profile?
"It made it impossible for me to go to the fish and chip shop. At the time it was so enormous. You went out on the street and you were instantly recognised. So the combination of Radio 1 and Top of the Pops made me into a national name which I will always be very grateful for. It’s stayed to this very day and the fact that you were a presenter on Top of the Pops is still very very special."

What about some of the silliness with the audience - the dressing up and so on?
"The dressing up, particularly around Christmas time, was all pre-planned. The problem with presenting TOTP was everybody wanted to get into the picture so you constantly had all these kids waving to their mums and dads. It was quite distracting because they weren’t aware you were there to do a job so right in the middle of a link, some arm would come in front of your face. That was the main thing in TOTP trying to stay in the picture yourself."

Everybody remembers Christmas editions of Top of the Pops - what are your memories of them?
"It was a great thing to be on them, because it was just before the Queen’s Speech. The Christmas Day was the best one to be on. I remember doing a show with Noel Edmonds, it was like he’d just come out of Sherwood Forest.

Why do you think TOTP is still going today?

"It’s history, it’s special, it’s TOTP. This country without TOTP wouldn’t be the same. We’ve got all these music channels now, we’ve got MTV and that’s great. There’s a big audience for that. But TOTP has the DJ introducing it and the top songs as well. With the music channels you have to wait a long time to get your favourite, but you know what’s going to happen on TOTP - you are going to get the No.1 song, you are going to get the chart rundown, so within half an hour you’ve just got the very Top of the Pops!"

Ìý Simply Red Ìý
Ìý "That's a bit supermarket, isn't it. I'm not making that many bottles. " Ìý
Ìý Robin Gibb Ìý
Ìý "There's been great moments both as a songwriter and as a performer." Ìý
Ìý Paul Roberts - The Stranglers Ìý
Ìý "We certainly weren't going to call ourselves The Bay City Rollers." Ìý
Ìý Lisa Stansfield Ìý
Ìý "I just thought, how many times do I have to sing this song?" Ìý
Ìý Soft Cell Ìý
Ìý "I think it's the only time that a banjo's been played in the Ministry of Sound." Ìý
Ìý Erasure Ìý
Ìý "Agnetha said she liked it. If I met them I would curtsey." Ìý
Ìý INXS Ìý
Ìý "We really surprised lots of people by simply hanging in there." Ìý
Ìý Kim Wilde Ìý
Ìý "I used to be really jealous of Claire Grogan...I thought she was gorgeous." Ìý
Ìý Dollar Ìý
Ìý "Failure was not an option, we were materialistic and greed was good." Ìý
Ìý Human League Ìý
Ìý "We did a US tour with Culture Club and Howard Jones...solely for the cash." Ìý
Ìý Altered Images Ìý
Ìý "Women were treated as a bit of a novelty in the music business in 1981." Ìý
Ìý Belle Stars Ìý
Ìý "The pop music lark just seems like a lifetime away now." Ìý
Ìý Steve Strange Ìý
Ìý "Look, you’re playing me like a bitchy queen and I’m not like that." Ìý
Ìý Five Star Ìý
Ìý "We all grew up wanting to be famous and we lived our dream..." Ìý
Ìý Phillip from Ruby Flipper Ìý
Ìý "At my age, I'd find it difficult to get my legs where they used to go..." Ìý
Ìý Glen Campbell Ìý
Ìý "I got to work with literally everyone in the business; Nat King Cole, Sinatra..." Ìý
Ìý David Gray Ìý
Ìý "Lots of tension in the camp. We're battling Gareth Gates for the No.1 spot" Ìý
Ìý Robert Palmer Ìý
Ìý "There's this homegenised force feeding of what is hip." Ìý
Ìý Marilyn Ìý
Ìý "I think George manipulated our relationship for publicity" Ìý
Ìý Tom Jones Ìý
Ìý "I'm pulling all my old jewellery out now and comparing my rings with Wyclef" Ìý
Ìý Ruth From Pan's People Ìý
Ìý "I could show you dozens of times I forgot the moves..." Ìý
Ìý Badly Drawn Boy Ìý
Ìý "Everybody has to do what everybody else does in order to have a hit single" Ìý
Ìý John Otway Ìý
Ìý "I think the music business is probably not happy with what we've done..." Ìý
Ìý Jimmy Cliff Ìý
Ìý "I look at someone like Ms Dynamite, I come away with a positive feeling." Ìý
Ìý Human League Ìý
Ìý "We wouldn't trust anyone that didn't wear eyeliner." Ìý
Ìý Status Quo Ìý
Ìý "I probably went about four or five years with a pair of stage jeans" Ìý
Ìý Gary Numan Ìý
Ìý "There are so many things in my past that you could make fun of." Ìý
Ìý McAlmont and Butler Ìý
Ìý "We were big enough to get over any-thing that may have been exchanged." Ìý
Ìý Primal Scream Ìý
Ìý "The producer at the time told us we'd never work again." Ìý
Ìý Oasis Ìý
Ìý "I prefer miming, I prefer if we weren’t playing live." Ìý


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