Continuing drama series about the staff and patients at Holby City Hospital's emergency department.
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Casualty ´óÏó´«Ã½ Programme page
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Casualty - Writing Jade's Story Charlie Swinbourne and Sophie Woolley from our Writers' Access Group explain more on our blog
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One Shot Wonder Go behind-the-scenes of the single take episode 'One'.
Scripts
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Series 38, Episode 12 - Take The Strain by Toby Walton
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Series 38, Episode 10 - Red Flags by Ciara Conway
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Series 38, Episode 7 - Tinderbox by Isla Gray
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Series 35, Episode 1 - Covid Special by Kevin Rundle
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Series 34, Episode 36 by Charlie Swinbourne and Sophie Woolley (In the script where words are in bold - they’re words that Jade would mishear when people are talking to her)
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Series 31, Episode 44 - 'One' (one shot episode) by Paul Unwin
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Series 31, Episode 38 - ‘Do Not Stand at my Grave and Weep’ by Dana Fainaru
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Series 31, Episode 1 - ‘Too Old for this Shift’ by Matthew Barry and Andy Bayliss
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Series 30, Episode 1 - 'A Child's Heart' part 1 by Paul Unwin
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Series 30, Episode 2 - 'A Child's Heart' part 2 by Paul Unwin
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Series 26, Episode 42 - 'Where Next?' by Sasha Hails
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Series 26, Episode 8 - ‘Charlie’s Angels’ by David Bowker
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Series 22, Episode 11 - 'A House Divided' by Daisy Coulam
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Series 22, Episode 25 - 'Sex and Death' by Mark Catley
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Series 21, Episode 25 - 'The Miracle on Harry's Last Shift' by Mark Catley
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Series 20, Episode 44 - ‘Perfect Day’ by Gaby Chiappe
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Series 18, Episode 1 - ‘End of the Line, Part One’ by Ann Marie di Mambro
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Series 15, Episode 36 - ‘Breaking the Spell, Part Two’ by Katharine Way
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Series 7, Episode 24 - ‘Boiling Point’ by Peter Bowker
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Series 4, Episode 11 - ‘Banking for Beginners’ by Bryan Elsley
Copyright & Content Warning
Please note that all scripts are fully protected by copyright law. All scripts are available only for private, personal use and not for any other form of wider distribution. You are not allowed to share or distribute them, extract anything from them to develop or train artificial intelligence or to do computer analysis. Any enquiries concerning the rights for professional or amateur stage production, broadcasting, readings etc should be made to the ´óÏó´«Ã½.
Scripts reflect the time at which they were written and may include language, content or characters which you find offensive.