How setting is used
In this extract from F. Scott Fitzgerald鈥檚 The Great Gatsby, the narrator鈥檚 description of his neighbour鈥檚 house parties establishes an atmosphere of luxury and glamour:
In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor-boats slit the waters of the Sound, drawing aquaplanesA wide, wooden board used for a type of water-skiing (popular in the 1920s). over cataractsA waterfall. of foam. On weekends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains.鈥
The Great Gatsby, Chapter 3, Scott Fitzgerald
Example analysis
- Several archaicOld-fashioned, or no longer in everyday use. words suggest that this setting is in the past, 鈥...omnibus鈥 motor-boats鈥quaplanes鈥︹
- The author鈥檚 description of the setting establishes an atmosphere of wealth and indulgence, with the 鈥渃hampagne鈥is beach鈥olls-Royce鈥otor-boats.鈥
- The author presents the narratorThe teller of a story; the voice in a text that describes or narrates the events of the plot. The narrator is often either a character in the story, or an authorial voice who gives a commentary on events but doesn't take part. as an observer of this setting - he is an outsider looking in.
- The use of metaphorical language also gives a suggestion of a detached narrator viewing an unfamiliar setting, 鈥溾ike moths...like a brisk yellow bug鈥︹ These insect simileA comparison using 'like' or 'as' to create a vivid image, eg as big as a whale; float like a butterfly, sting like a bee. create a feeling of an observer watching a strange, new world.
- The setting is described in a cinematicHas the feel of a film way, with the narrator sweeping his eyes over several locations - the garden, the raft, the beach and the water.
- This sense of movement from one setting to another establishes a feeling of energy. This is also suggested by the use of phrases like 鈥渃ame and went鈥o and from鈥campered.鈥
- There is also a contrast between the setting of the gardens at night (whispering鈥lue鈥tars) and the afternoon at the beach (sun鈥ot鈥lit the waters). The juxtapositionTo place two or more ideas/images close together to create further meaning for an audience. of these settings within one paragraph makes them seem even more vivid.
- The author uses personal pronounThe pronouns in English (I, you, he, she, it, we, they, me, him, her, us, and them) showing contrasts of person, gender, number, and case. to create a strong link between one of the characters and this setting, 鈥溾is gardens鈥is guests鈥is raft鈥is two motor-boats鈥is Rolls-Royce鈥is station wagon鈥︹ Although we don鈥檛 know who 鈥榟e鈥 is in this extract, the reader can see that he owns this world of luxury and pleasure.