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Klaus Badelt and Hans Zimmer: He's a Pirate聽- EdexcelThe elements of music to consider

Pirates of the Caribbean is a hugely successful film franchise. The score for the first of the film series was written by Hans Zimmer and Klaus Badelt. It begins with the He's a Pirate theme.

Part of MusicMusic for stage and screen

The elements of music to consider

Structure

The of He's A Pirate follows what happens on screen and is heard when one of the leading characters is first seen on screen. This means that the song is broken up into that will be revisited throughout the film. The structure is:

  1. 6-bar introduction
  2. theme A
  3. theme B
  4. theme C
  5. theme B repeated

Melody

Each of the themes feature the following identities:

  • all of the themes begin with an
  • each melody is and is played within a narrow
  • the music moves in a wave-like motion, ie. the melody will rise and fall in

Theme A

Audio of Theme A

Theme B

Audio of Theme B after the anacrusis

Theme C

Theme C is introduced to the piece by the upper string section

Rhythm, metre and tempo

Like the melody, the elements that define the pulse of the music sway like the sea, which adds a sense of adventure. Badelt and Zimmer have written the piece with:

  • an orchestrated that continues underneath the main melody with simple crotchets and quavers, but in 6/8 rather than 3/4
Wave-like rhythm excerpt from The Pirates of the Caribbean.
Figure caption,
The accompanying rhythm to the three themes could be counted in 6/8 to help emphasise the pulse of the music

Audio of the rhythm depicted in the score excerpt

  • a of 3/4, although the introduction accompaniment gives the feeling of
  • the tempo is approximately 200

Instrumentation and timbre

These are some of the essential pieces of information needed when answering questions regarding these two elements of music:

  • the entire score is written for a large orchestra
  • each instrument plays throughout
  • only the strings play in the introduction with to accompany the themes
  • there is a heavy use of cymbals and untuned percussion
  • the implementation of brass instruments allows the melody to sound heroic and proud
  • the music has a swaying feel with lots of energy

Texture and tonality

The texture and tonality in this piece are:

  • themes A and C are written with
  • theme B is written with texture 鈥 the entire orchestra is playing the same rhythm
  • the entire piece is written in D minor using primary to enforce the