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Aaron Copland: Saturday Night Waltz - AQASaturday Night Waltz – key facts

Aaron Copland wrote the ballet Rodeo in 1942. Saturday Night Waltz is one of four movements from the suite Four Dance Episodes from Rodeo, which was taken from the original ballet score.

Part of MusicWestern classical tradition since 1910

Saturday Night Waltz – key facts

Form and structure

The song uses the structure of the song I Ride an Old Paint. The waltz is developed in various ways.

  • A variation on A-B-A structure. The main sections are:
    • introduction
    • section A -
    • section B - developed waltz theme
    • section A - waltz theme returns
    • ending

Harmony and tonality

The slow waltz is accompanied by a simple tonic and dominant harmony, and modulates through types of thirds. Also consider the following points:

  • the introduction begins with the strings playing on open strings a apart. The double basses play a on G.
  • after the introduction the moves down a semitone to G♭
  • D♮ leads the music into the key of E♭ major
  • the outro returns to the tonic key of E♭ major
  • the movement closes on an using the tonic and dominant of E♭ major

Tempo

Saturday Night Waltz is a slow waltz and uses the following techniques to implement this pace:

  • contains a number of changes throughout
  • the intro is played at a quick tempo marked 152 crotchet beats per minute
  • the ending of the music returns to the ‘slow waltz’ tempo before slowing down at the end

Rhythm and metre

The rhythm of the waltz is created by the following:

  • the waltz is in a 3/4 time
  • the first eight bars feel like duple time

Dynamics

There are gradual changes in the volume of the piece which are deployed with the following:

  • the introduction begins
  • Saturday Night Waltz reduces in volume from fortissimo to mf and then to p
  • the outro returns to forte until the end

Texture and melody

The melody is based on the song I Ride an Old Paint/Houlihan and features:

  • a introduction in texture, played by the strings and
  • the slow waltz melody is played by the oboe
  • the melody begins with a minim - augmented - but the overall melody has been rhythmically shortened compared to the original
  • the solo flute adds decoration, eg

Timbre

The suite is written for a large , however:

  • the third movement sounds as though it is scored for chamber orchestra
  • not all of the instruments are included in all movements
  • the transposing instruments are clarinet, bass clarinet and trumpet in B♭. The Horn and cor anglais are in F.