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Beethoven: Piano Concerto No.1 - OCRLudwig van Beethoven

Ludwig van Beethoven's Piano Concerto No.1 was composed in 1795 and was first performed in Vienna, Austria, by Beethoven as the solo pianist. The piece was published in 1801 after some revisions.

Part of MusicThe concerto through time

Ludwig van Beethoven

Born in 1770, Ludwig van Beethoven came from a family of musicians in Bonn, Germany. By the age of 13 he had written and published three piano sonatas.

Beethoven travelled to Vienna in 1787 to pursue his music career and to learn from Wolfgang Amadeus Mozart. Beethoven moved to Vienna permanently in 1792, after the death of his mother, to study with Joseph Haydn. However, this was short lived as Beethoven did not get on with his new teacher. Vienna became his home until his death in 1827, aged 57.

Unlike many composers previously in the , eg Haydn, Beethoven chose not to work as a composer for a regularly paying . Beethoven was financially supported by a small number of noblemen who allowed him to compose the music he wanted to write.

Piano Concerto No.1 in C major

A version of Piano Concerto No.1 was first composed in approximately 1795. It was developed over several years until it was first performed in 1801, with Beethoven playing the solo piano.

This concerto is heavily influenced by characteristics of the Classical period. It has three movements:

  • con brio - fast and lively
  • 鈥 slow
  • rondo allegro - fast

This is a typical structure for a concerto in the Classical period, with the movements having contrasting - ie fast, slow and fast.

The first movement has a military march-like feel and is in a 4/4 . The movement is in with the addition of an introduction, a and a . The cadenza is an extended solo passage for the piano in which key from the movement are played in a virtuosic manner.

The second movement is in the contrasting of A鈾 major. It is in form with several themes in the initial A section that are developed in the B section.

The third movement is a huge contrast to the first, with a sense of mischief and a comic feel. It is highly energetic with rhythms and irregular . This movement also features two short cadenzas that have an indication to the performer of what to play. However, in performances today, pianists often improvise their own cadenzas or can play those written by other pianists if desired.