Timbaland ft. SoShy - 'Morning After Dark'
You would think, beats and rhythms being nothing more complicated than a series of cleverly-arranged bangs and clicks, that producers would be a bit more adventurous with the kind of sounds they use. Even more so when you consider sampling has been well-established as a studio tool for over 25 years now.
I mean, where are the griffin stomps? The leprechaun handclaps? Where is the sound of a hard-boiled tyrannosaur egg being scraped down the side of a yellow battleship on an unseasonably frosty morning in August?
Why are we still listening to that 808 when we could be listening to this two-thousand-and-909?
(. It's got acting in it. BAAAAD acting.)
Timbaland is the exception that proves I'm right about everyone else. In the past he's been brilliant at working unusual sounds - from tablas and tinny little mandolins to what sounds like bits of old tree being whacked against other bits of old tree - into seamless and beautiful musical tapestries. In fact, I would advise anyone with an ear for something unusual - and a high tolerance for grown-up content/country music - to listen to Bubba Sparxxx's 2003 album 'Deliverence' if you haven't already. It's a sonic masterpiece.
This song, while being a way off anything as perfect as that (or 'Get Ur Freak On', now I come to think of it) is an attempt to pull together some of the recent production ideas Timbo has been throwing around. There's the squitty, burbling synth, which always sounds DEAD RUDE in his filthy hands, the clunky, booming log-pile bass drum, and those odd little drunken typewriter-on-a-tin-can clicks and clacks.
Best of all, for a production powerhouse and supreme dancefloor manipulator Tim never forgets to bring the song to the fore. Even if he's decorating it with silky SoShy backing vocals and wheeling out his yodel-vocoder, the song is all. Even, in fact, when it's a song as comparatively silly and weedy as this one.
He is, after all, a man with certain standards to maintain.
Download: Out now
CD Released: September 28th
´óÏó´«Ã½ Music page
(Fraser McAlpine)
Comment number 1.
At 25th Nov 2009, pinkparadox wrote:Love this song, love it.
The video, tho... did he really, really want it to be in New Moon..?
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Comment number 2.
At 26th Nov 2009, CurtainJerker wrote:Hell yeah! Some love for Deliverance!!
Good man Fraser. Going Nowhere from that album is in my all-time top 100. I love the mixing of country with hip hop, although it's Bubba's rapping that really make it something special for me.
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Comment number 3.
At 26th Nov 2009, looloo wrote:On first listen I thought this was awful and I hadn't a clue what timbaland was saying. I now love love love it! The acting in the video is sooooooooo bad its good, timbaland lisps as his 'fangs' are too big and the vamp guy actually says 'why yes here we are!' amazin! I am now addicted to this song n paramores brick by boring brick good timesxx
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Comment number 4.
At 27th Nov 2009, flatknees wrote:new moon is popular. this is pop music.
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Comment number 5.
At 27th Nov 2009, harrythedog10 wrote:The video feels like a parody of twilight and kind of over shadows the song.
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Comment number 6.
At 3rd Dec 2009, RandomEnigma wrote:A new video has surfaced online containing vocals from Nelly Furtado! And...all the bad acting has been cut out!!! Yay!!!
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