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28 October 2014
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devon demos - audition a local band
Who'z In The Room With Norman?

How many Devon unsigned bands get to record their music in Philadelphia? "Who'z In The Room With Norman" are three lads from Torquay who say their 'Storming Norman' sound will be loved by all...

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To listen to WHO'Z IN THE ROOM WITH NORMAN, click on the link at the top of this page - and don't forget to tell us what you think on the message board.

Nineteen year old Kris Barras had a vision to start a band and 'change the world for the better'.

He's been joined in his quest by 18-year-old Jay Tamkin and old man of the set, 22-year-old - born to be drummer - Will Beavis.

Lead guitarist, songwriter and frontman, Kris tells Devon Demos about the Torbay trio...

Who IS in the room with Norman?
Ha - it's a long story. We're named after an old school teacher of mine.

Will Beavis
Who'z This? Will the drummer

One day he was telling us how he used to learn important facts by speaking them outloud.

His landlady overheard him talking to himself and thought he'd someone in his room with him - and so "Who'z In The Room With Norman?" was born.

Three lads - guitars and drums - popular rock - are you Devon's replacement for Busted?
No we are not! Well actually yes! Maybe!
It would be great if we could replace them but then prove that we're not just a manufactured band. We're all quite accomplished musicians in our own rights.

We play pop-rock because that's what our audience wants. Don't get me wrong, we love what we do but we also love jazz and progressive rock - the self indulgent stuff.

I guess we'd prefer to be thought of as more like Franz Ferdinand or Rooster than Busted!

Which three words would you use to describe your sound.. Funky, Rocky, Memorable!

And what about the track you've chosen to demo.. It's called No More Lies.

Jay Tamkin
Who'z This? Kris Barras

Everybody knows someone who talks BS - to the extent that they actually believe it themselves. It's about that person. (You know who you are!)

You're the songwriter, Kris - how do you get your original songs heard? By slipping them into our live sets. We've always had the attitude that we need to perform covers in order to get the bookings, but then you can drop in some originals.

Some bands refuse to play covers but that's not the attitude to have if you want to get gigs.

We're just three young lads making a living playing around The Bay. We need to pay the bills. People hear us doing Jimi Hendrix or the Beatles and maybe buy our EP on the strength of that - then they tell us they like the original songs on that too.

It was at one of these pub gigs you got your chance to record in America?
Yeh, we were playing at a pub in Brixham and a bloke at the bar asked if we did any of our own songs.

We played a couple for him and afterwards he gave us his business card and asked if we had any recordings. Next thing we know he's phoning us telling us he's booked us in to a studio if we want to go to Philadelphia!

He's now our US tour manager, Paul! He'd lived in America for a while and knows the venues.

How was your trip to the recording studio in Philadelphia.. Excellent - I'm not a great lover of the place itself - it was too cold! But the overall experience was fantastic.

Our producer at the studio had worked with bands like Foreigner, Jazzy Jeff and the Fresh Prince and Patty Smith.

Jay Tamkin
Who'z This? It's Jay Tamkin

We went with the intention of recording a couple of songs and coming back to the UK to record the album. But we all gelled so well that we are going back in May to finish the album.

The thing is our sound is changing - improving - all the time so we may have to make some changes to the original recordings too.

How does performing in the US compare with the pubs and clubs of the UK? We have a UK tour manager too, Ken Newton, who sorts us out gigs like universities and the like.

But it is quite different. If you're playing in a bar in America they don't chat and drink - they watch and listen.

But they don't really join in like a UK crowd and you think - are we not going down well? But then at the end they roar and applaud and it's great.

And we change our set to suit. If we're playing in the south we slip in classics like Sweet Home Alabama. Just the first chord of Freebird is enough to get a standing ovation!

Have you had to learn to perform rather than just play? Absolutely! It's a live performance and it's more than just the music.

We have to be energetic and have a few of our own trademarks - not like Busted's jump in the air - I play the guitar behind my head or with my teeth, and we jump about and climb on the bars.

So is "Who'z In The Room With Norman" a band that will become famous in the UK or the USA? Wherever they'll have us first!

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