Robin Tritschler sings Warlock’s The Curlew with the London Conchord Ensemble. The intimate programme moves from Imogen Holst’s Phantasy Quartet to Poulenc’s Sextet and Thomas Adès’s arrangement of François Couperin’s Les baricades mistérieuses.
Robin Tritschler sings Warlock’s The Curlew with the London Conchord Ensemble. The intimate programme moves from Imogen Holst’s Phantasy Quartet to Poulenc’s Sextet and Thomas Adès’s arrangement of François Couperin’s Les baricades mistérieuses.
Kenneth Hamilton, concert pianist and Professor of Music at Cardiff University, looks at the story of the Romantic piano concerto, and at Mendelssohn's Piano Concerto in G minor.
The Scottish Chamber Orchestra and Robin Ticciati explore Romantic ideals of heroism and tragedy in Berlioz’s King Lear overture and Beethoven’s ‘Eroica’ Symphony. George Benjamin reimagines Bach and Stephen Hough returns for Mendelssohn’s Piano Concerto No. 1.
The Scottish Chamber Orchestra and Robin Ticciati explore Romantic ideals of heroism and tragedy in Berlioz’s King Lear overture and Beethoven’s ‘Eroica’ Symphony. George Benjamin reimagines Bach and Stephen Hough returns for Mendelssohn’s Piano Concerto No. 1.
Ilan Volkov conducts the ´óÏó´«Ã½ Scottish Symphony Orchestra in the world premiere of Rzewski’s Piano Concerto (with the composer as soloist), Gerald Barry’s No other people., John White’s Chord-Breaking Machine and Morton Feldman’s late masterpiece, Coptic Light.
Ilan Volkov conducts the ´óÏó´«Ã½ Scottish Symphony Orchestra in the world premiere of Rzewski’s Piano Concerto (with the composer as soloist), Gerald Barry’s No other people., John White’s Chord-Breaking Machine and Morton Feldman’s late masterpiece, Coptic Light.