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15 October 2014
WW2 - People's War

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Wartime Memories of the Theatre

by audrey landreth

Contributed by听
audrey landreth
People in story:听
Audrey Mayne aka Audrey Landreth
Location of story:听
UK and Europe
Background to story:听
Civilian Force
Article ID:听
A2879643
Contributed on:听
30 July 2004

WARTIME MEMORIES OF THE THEATRE
When war broke out I was about to embark on a career on the stage as a dancer. For the first two years or so I toured around England in several different revues with many well known artists such as Elsie Carlyle, Phyllis Dixey, Ronald Frankau and Max Wall to name but a few. Then in 1942 I joined a sister act with another dancer 鈥 we were known as the 鈥淭wo Maxettes鈥 named after Max Rivers our teacher and arranger and for another two years we worked at all the major theatres in the U.K. in twice nightly variety shows. Luckily we managed to escape any severe bombing but our most difficult times were Sundays when we travelled from town to town on overcrowded, often cold and always delayed trains, to our sometimes uninviting digs!!! Then in 1944 I decided to join E.N.S.A, and after all the formalities and rehearsals I was assigned to a 鈥渇ive-handed unit鈥 which consisted of a pianist, a comedian, a soprano, a magician and myself a soubrette. Being such a small unit we travelled in a van together with a portable stage, a piano and all our 鈥減rops鈥 to the smaller units of the forces, such as gun emplacements etc. often in
fields and under canvas with our performances interrupted by enemy action. We went to numerous places all over England and Scotland and I even experienced my first flight in a military Dakota to the Orkney and Shetland Isles even visiting 鈥淪capa Flow鈥. I was recalled to Drury Lane ( E.N.S.A. headquarters) in November 1944 where I was kitted out with a uniform and after a medical check, inoculations etc. and rehearsals for a new show 鈥淩adcliffe Revels鈥 headed by the Scots comedian Jack Radcliffe we were eventually sent to France in January 1945. From there we followed the Army (of course a long way back from the front) through Belgium. Holland and Germany and, with several breaks in between, we reached Berlin at Christmass1945. Then when E.N.S.A. was replaced by C.S.E. I spent many more months entertaining the Army of occupation with various shows all across Europe. I do, of course, have so very many happy memories and some sad ones too of all those years but my proudest moment of all was when I learnt that my father had been awarded the George Medal for bravery during the great fire of London on December 29 1940 as an ambulance driver. I hope that all this has evoked some other pleasant memories for you all.

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These messages were added to this story by site members between June 2003 and January 2006. It is no longer possible to leave messages here. Find out more about the site contributors.

Message 1 - Wartime Memories of the Theatre

Posted on: 30 July 2004 by Paul Wigmore

Dear Audrey (if I may?),

You say you hope your story brings back happy memories - well, you have to this old codger!

I was in India during the war (see my entry, 'Another Innocent Abroad') and the ENSA shows were terrific. Your gang, worldwide, always gave all of us a shot in the arm.

Did you ever sing that song,

'Wherever you mention,
It's home sweet home for someone!'

It is my lasting memory of ENSA shows. We had to give the Compere the name of our home town and it would be fitted into the verses.

Thanks, Audrey. You and yours were winners!

Paul Wigmore.

Message 2 - Wartime Memories of the Theatre

Posted on: 28 October 2004 by Martyn Beeny

dear Mr Wigmore

I was very interested to read your comments to Mrs Audrey Landreth about ENSA.

I am currently reading for my PhD in History at the University of Kent at Canterbury. My thesis is 'The Role of Popular Music during WWII'.

I am interested in how music fit into people's lives during the war. Your comments about having enjoyed ENSA shows are of interest to me and I would very much like a chance to discuss this further with you and any other music related issues that might arise.

If you wish to, please leave a message for me here.

Thank you

Message 3 - Wartime Memories of the Theatre

Posted on: 19 November 2004 by archben

Dear Martyn,
I spent some of my teens during WW2 and in the army I was stage manager of a camp theatre later in Singapore I was in CSE. Everyones spare time once the air raids had stopped seemed to be spent at the pictures or at a dance. Ladies would walk miles to dance for three hours at our dance hall/theatre twice a week. Bands played a watered down version of Artie Shaw, Tommy Dorsey not much real Jazz but a swinging version nevertheless. Joe Loss played eveyones music his records sold well they were 4/2d while the American bands records were 5/4d.
In Army camps there was very little chance to hear a radio.
In 1943 I was sent by members of my youth clb to buy a record of 'That old Black Magic'. I bought the Charlie Barnet version. Huge disaproval, they preferred the Victor Sylvester plastic beat.
If I can help let me know.

Message 1 - War time memories of the theatre

Posted on: 31 July 2004 by Susan Nolen - WW2 Writing Buddy

I really enjoyed reading your posting. I was too young to appreciate any of the tales my grandfather wanted to spin. He entertained the troops along with a dancer that he fell in love with and married. After the war he was the theatrical director of the Embassy theatre, which is now a wonderful school for the arts. I have never had the chance to find out who an Arthur T Young was, as I have two black and white pen and ink drawings of performances at the Embassy with my grandfather on the violin. Hopefullly one day, I learn about him and maybe even run into someone who knew my grandfather. I can't help but imagine what an exciting time it must have been, even though it was so dangerous. But that is the romantic in me. Just wanted to pop in and say hello and let you know that I enjoyed your posting.

Susan

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