Episode 1
Donald Macleod explores the first opera, the first operatic masterpiece and one of the first productions to be staged in a public house. With Monteverdi, Peri, Cavalli and Cesti.
Pasta, pizza and opera - just three of Italy's gifts to the world. But while pasta may have originated in China and the Ancient Greeks appear to have had a form of pizza, there's no doubt that the origins of opera are thoroughly Italian. So as part of the ´óÏó´«Ã½'s focus on opera in 2010, Donald Macleod conducts a whistlestop tour through two centuries and more of Italian opera, from Monteverdi to Rossini.
Monday's programme starts with opera in its infancy, as Donald explores the origins of the form in the courtly entertainments of late-16th-century Florence, and we hear from the earliest true opera to have survived intact. Then Monteverdi comes on the scene and the infant's growth accelerates rapidly - we hear from the first operatic masterpiece, then from one of the first operas to offer a realistic portrayal of human relations and motivations. It's about Poppea, a courtesan who sleeps her way to the very top. Finally, a look at the two composers who more than any others dominated the genre in the immediate aftermath of Monteverdi - Francesco Cavalli and Antonio Cesti. They're hardly famous names today, but between them they produced the most popular operas of the entire 17th century.
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Music Played
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Claudio Monteverdi
Orfeo – Toccata
Performers: Le Concert d’Astrée, Emmanuelle Haïm (conductor)
- Virgin 5 45642 2.
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Jacopo Peri
Euridice – extract from scene 2
Performers: Ensemble Arpeggio , Roberto De Caro (conductor), Rossana Bertini (Dafne)
- Arts 47276-2.
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Claudio Monteverdi
Orfeo– extracts from Act 3
Performers: Ian Bostridge (Orfeo), Mario Luperi (Caronte), Le Concert d’Astrée, Emmanuelle Haïm (conductor)
- Virgin 5 45642 2.
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Untitled
Music included: Sinfonia; Possente spirto e formidabil nume; Ritornello-Violini; Non vivo io nò, che poi di vita è priva; Ritornello-Cornetti; A lei volt' hò il camin per l’aër cieco;
Untitled
Ritornello- Arpa, Orfeo son io che d'Euridice i passi; Sol tu nobile Deo puoi darmi aita; Ben mi lusinga alquanto; Ahi sventurato amante
Claudio Monteverdi
L'incoronazione di Poppea – Act 3, scene 8 Conclusion
Performers: Marinella Pennicchi (Cupid), Catherine Bott, Constanze Backes, Bernarda Fink, Marinella Pennicchi (Chorus of Cupids), Anne Sofie Von Otter (Venus), Sylvia McNair (Poppea), Dana Hanchard (Nerone), The English Baroque Soloists, John Eliot Gardiner (conductor) ‘Scendiam, scendiam’; ‘Pur ti miro’
- Archiv 447 088-2.
Untitled
Music included: Scendiam, scendiam; Pur ti miro
Francesco Cavalli
Giasone – Act 1, scene 6
Performers: Gianpaolo Fagotto (Demo), Bernard Deletré (Orestes), Concerto Vocale, René Jacobs (conductor)
- Harmonia.
Antonio Cesti
Le disgrazie d'Amore– Act 2, scene 2
Performers: Paolo Lopez (Amore), Carlos Natale (Inganno), Gabriella Martellacci (Adulazione), Auser Musici, Carlo Ipata (conductor) ‘Ahime!; Aria: ‘Non più benda’; Duet: ‘Così fa’; ‘Se volete, ch’io segua’; ‘Che si può da me pretendere?’; ‘E quasi schiaro vile’; Duet: ‘Quanto bramar si sa’; ‘Ahimè, ch’egl’è scampato’; Duet: ‘Smarrita è la caccia’
- Hyperion CDA67771/2.
Untitled
Music included: Ahime!; Aria: Non più benda; Duet: Così fa; Se volete, ch’io segua; Che si può da me pretendere?; E quasi schiaro vile; Duet: Quanto bramar si sa; Ahimè, ch’egl’è scampato;
Untitled
Duet: Smarrita è la caccia
Broadcasts
- Mon 3 May 2010 12:00´óÏó´«Ã½ Radio 3
- Mon 3 May 2010 22:00´óÏó´«Ã½ Radio 3
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