An Unquiet Mind
Texts and music on the theme of an unquiet mind, with readings by Katherine Parkinson and Greg Wise. With Cervantes, Tolstoy and Orwell, plus Berlioz, Strauss, Britten.
From the madwoman in her attic to the troubled king straining against the leashes of his medical attendants, the depiction of what has historically been called madness has been a common theme in art, music and literature. It has engaged both those who have sought to share their own experience of an unquiet mind and those who have used it to explore complexity, colour and difference in their subjects. Literary contributions in this programme include Cervantes' Don Quixote, Mr Rochester's sad, bad first wife, Anna Karenina and her self-destructive passion, and the Patrick Hamilton character who knows only that he must kill. There's a contemporary account of what it was like to be around George III as his grasp on reason slipped away, and readings about characters - such as Winston in Orwell's Nineteen Eighty-four, driven mad by circumstances. We also look at collective madness, the greatest example of which must surely be war.
In music Berlioz describes obsessive love in his Symphonie Fantastique, Strauss depicts the absurdities of Don Quixote in his tone poem of the same name, and Peter Maxwell Davies has his own take on the madness of George III in his 8 Songs for a Mad King. There is also music by Britten, Gesualdo and Nick Drake.
Extracts are read by Katherine Parkinson and Greg Wise.
Producer - Ellie Mant.
Last on
Music Played
Timings (where shown) are from the start of the programme in hours and minutes
-
00:00
Gy枚rgy Ligeti
Atmospheres (extract)
Performer: Sinfonie orchester des Sudwestfunks Baden-Baden, Ernest Bour (conductor).- WERGO WER60162-50.
- Tr8.
-
Patrick Hamilton
Hangover Square, read by Greg Wise
00:01Gesualdo
Belta poi che t聮'assenti
Performer: Il Complesso Barocco, Alan Curtis (director).- PAN CLASSICS PC10229.
- Tr2.
Sylvia Plath
Mad Girl聮s Love Song, read by Katherine Parkinson
00:06Cage
Dream for piano (extract)
Performer: Giancarlo Simonacci (piano).- Brilliant Classics 9176.
- Tr20.
Dale Wasserman
Man of La Mancha, read by Greg Wise
00:09Nick Drake
Black Eyed Dog
Performer: Nick Drake (voice/guitar).- ISLAND CID8149.
- Tr13.
Leo Tolstoy
Anna Karenina (translated Rosemary Edmonds), read by Katherine Parkinson
00:13Hector Berlioz
Symphonie Fantastique 聳 1st movt : Reveries. Passions (extract)
Performer: Berlin Philharmonic, Daniel Barenboim (conductor).- CBS CD39859.
- Tr1.
George Orwell
Nineteen Eighty-Four, read by Greg Wise
00:20Edwin Roxburgh
4 Wordsworth miniatures for clarinet and piano: Thoughts that do often lie too deep for tears.
Performer: John Bradbury (clarinet), James Cryer (piano).- NAXOS 8.570539.
- Tr6.
Hilary Mantel
Vacant Possession, read by Katherine Parkinson
00:23Henry Purcell
Bess of Bedlam, Z.370
Performer: Susan Gritton (soprano), The King聮s Consort, Robert King (conductor).- HYPERION CDA66730.
- Tr13.
00:28Bridge
The Sea -聳 Moonlight (extract)
Performer: 大象传媒 National Orchestra of Wales, Richard Hickox (conductor).- CHANDOS CHAN10012.
- Tr11.
Victor Starbuck
Moon-Madness, read by Greg Wise
Madame D聮Arblay
The Diary and Letters of Madame D聮Arblay Vol 2, read by Katherine Parkinson
00:33Peter Maxwell Davies
8 Songs for a Mad King (extract)
Performer: Julius Eastman (baritone), The Fires of London, Peter Maxwell Davies (conductor).- UNICORN SKPCD9052.
- Tr2.
00:37Richard Strauss
Don Quixote (extract)
Performer: Philadelphia Orchestra, Eugene Ormandy (conductor).- SONY SBK47656.
- Tr12.
Cervantes
Don Quixote (translated Edith Grossman), read by Greg Wise
Emily Dickenson
Much Madness is Divinest Sense, read by Katherine Parkinson
00:40Robert Schumann
String Quartet no. 1 in A minor, Op. 41; 1st movt (extract)
Performer: Zehetmair Quartett.- ECM 1793.
- Tr1.
Douglas Adams
Life, the Universe and Everything, read by Greg Wise
00:42Queen
I聮m Going Slightly Mad (extract)
Performer: Queen.- PARLOPHONE CDP7958872.
- Tr2.
Lewis Carroll
Alice聮s Adventures in Wonderland, read by Katherine Parkinson
00:48Fr茅d茅ric Chopin
Waltz for piano Op.34聮3 in F major '聭Cat聮'
Performer: Garrick Ohlsson (piano).- ARABESQUE Z6669.
- Tr4.
Ivor Gurney
To God, read by Greg Wise
00:51Gurney
War Elegy (extract)
Performer: 大象传媒 Symphony Orchestra, David Lloyd-Jones (conductor).- DUTTON CDLX 7172.
- Tr5.
Charlotte Bronte
Jane Eyre, read by Katherine Parkinson
00:56Joseph Haydn
Insanae et vanae curae
Performer: Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner (conductor).- PHILIPS 4708192.
- Tr23.
Wilfred Owen
Mental Cases, read by Greg Wise
01:04Benjamin Britten
War requiem: Agnus Dei
Performer: Philip Langridge (tenor) London Symphony Chorus and Orchestra, Richard Hickox (conductor).- CHANDOS CHSA 5007.
- Tr5.
01:08Morton Feldman
The Viola in My Life 聳 part 1 (extract)
Performer: Karen Philips (viola), Anahid Ajemian (violin), Seymour Barab (cello), David Tudor (piano), Paula Robison (flute), Arthur Bloom (clarinet), Raymond DesRoches (percussion), Morton Feldman (conductor).- NEW WORLD 806572.
- Tr1.
Elizabeth Jennings
Night Garden of the Asylum, read by Katherine Parkinson
William Shakespeare
Sonnet 140, read by Greg Wise
01:10Engelbert Humperdinck
Shakespeare Suite no.1: Love scene (extract)
Performer: Bamberg Symphony Orchestra, Karl Anton Rickenbacher (conductor).- KOCH 31197 2.
- Tr4.
Producer Note
From the madwoman in her attic to the troubled king straining against the leashes of his medical attendants, the depiction of what has historically been called madness has been a common theme in art, music and literature. It has engaged both those who have sought to share their own experience of an unquiet mind and those who have used it to explore complexity, colour and difference in their subjects. Literary contributions in this programme include Cervantes鈥 Don Quixote, Mr Rochester鈥檚 sad, bad first wife, Anna Karenina and her self-destructive passion, and the Patrick Hamilton character who knows only that he must kill. There鈥檚 a contemporary account of what it was like to be around George III as his grasp on reason slipped away, and readings about characters - such as Winston in Orwell鈥檚 Nineteen Eighty-four, driven mad by circumstances. We also look at collective madness, the greatest example of which must surely be war.
听
The programme begins inside the mind of Patrick Hamilton鈥檚 protagonist as he tries to remember who it is that he must kill. I paired this with the pained dissonances in Gesualdo鈥檚 madrigal Belta poi che t鈥檃ssenti; (And, of course, Gesualdo famously murdered his wife and her lover鈥) Sylvia Plath also examines the confusion of a troubled mind, and I thought the sparseness and then muddy texture of John Cage鈥檚 piano piece reflected this. Dale Wasserman questions what madness is 鈥 perhaps 鈥渢o see life as it is, and not as it should be鈥, and Nick Drake鈥檚 Black Eyed Dog could be interpreted as blackness or depression. Like Tolstoy鈥檚 Anna Karenina, Berlioz鈥檚 Symphonie Fantastique depicts a character suffering a self-destructive, obsessional love. Next an example of somebody broken by the situation they find themselves in. I felt the plaintive quality of Roxburgh鈥檚 solo clarinet line mirrored the bleakness and despair of Orwell鈥檚 text. The Hilary Mantel passage has a colourful account of life inside an asylum, followed by Purcell鈥檚 Bess of Bedlam - a famous fictional inmate who went mad from love. Victor Starbuck鈥檚 Moon Madness portrays somebody who to all outward appearances seems mad, but inside is content with his view of the world. I liked dreamy quality of the Bridge Moonlight with the poem.
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There was only one possible music choice to accompany Madame D鈥橝rblay鈥檚 real-life diary entry about encountering Mad King George, likewise for Cervantes鈥檚 Don Quixote. Emily Dickenson鈥檚 poem is one of several to suggest that it is only the majority view that dictates what is considered mad, and what sane. This is followed by a movement of a string quartet written just before Schumann himself lost his sanity.听 Douglas Adams鈥 character Arthur Dent actively decides to go mad, and Queen tackles the subject with a huge collection of euphemisms for madness.
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Gurney was not only a composer, but also one of the 1st World War鈥檚 foremost poets. His experience of mental illness and war inspired his work in both fields. His prayer To God lambasts the cruelty of men to men, blaming him for it, followed fittingly by Gurney鈥檚 War Elegy. There are many examples of mad women in 19th century literature, and I chose one of the most famous. Jane Eyre鈥檚 wedding is disrupted when it鈥檚 discovered that Mr Rochester is already married to a mad woman hidden away in the attic. He rages against the priest and lawyer for judging him, quoting the bible at them. Haydn鈥檚 Insanae et vanae questions the use of striving after earthly things if you neglect heaven.听听
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Wilfred Owen鈥檚 Mental Cases describes the devastating effects of war on the soldiers who experienced it. This is followed by Britten鈥檚 beautiful setting of another Owen poem in his War Requiem.听 The trilling of the flute in Morton Feldman鈥檚 piece reminded me of a bird鈥檚 call, and I liked the unsettling and still quality of this music under Jennings鈥 poem Night Garden of the Asylum. The programme ends with Shakespeare鈥檚 sonnet about the perils of unrequited love, coupled with Humperdinck鈥檚 Shakespeare-inspired scene depicting a happier love.
听
Producer 鈥 Ellie Mant
Broadcast
- Sun 13 Jul 2014 17:30大象传媒 Radio 3
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