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The Kiss

Texts and music about kisses, with readings by Pippa Nixon and Jonathan Cullen. With Shakespeare, Fleur Adcock, Herrick and Sylvia Plath, plus Stravinsky and Irving Berlin.

Pippa Nixon and Jonathan Cullen read poems and prose about kisses, from Shakespeare's famous scene in Romeo and Juliet to Fleur Adcock's poem on 'Kissing', and from Herrick's romantic kisses to Sylvia Plath's warning, 'Never try to trick me with a kiss'. There are many types of kisses: the innocent first kisses of a baby, kisses of affection, the first romantic kiss, ritual kisses and the kisses of betrayal.

Music includes Stravinsky's 'The Fairy's Kiss' and Irving Berlin's 'Kiss me Honey'.

1 hour, 15 minutes

Last on

Christmas Eve 2015 16:30

Music Played

Timings (where shown) are from the start of the programme in hours and minutes

  • 00:00

    Béla Bartók

    Teasing Song (Scherzando) (44 Duos, Sz98)

    Performer: András Kiss & Ferenc Balogh (violins).
    • HYPERION CDA66453.
    • Tr26.
  • Bobbi Katz

    Cat Kisses, read by Pippa Nixon and Jonathan Cullen

  • Unknown

    I saw Esau kissing Kate, Pippa Nixon and Jonathan Cullen

  • 00:00

    Joseph Haydn

    Der erste Kuss (Jacobi)

    Performer: Elly Ameling (soprano), Jorg Demus (piano).
    • PHILIPS 4202172.
    • Tr20.
  • Karl Shapiro

    The Kiss (Eden Retold), read by Jonathan Cullen

  • 00:04

    Martinu

    Poco Andante (Three Madrigals for violin and viola)

    Performer: Philip Setzer (violin), Lawrence Dutton (viola).
    • DG 477 8093.
    • Tr6.
  • William Shakespeare

    Romeo and Juliet (Act 1, Scene 5. Extract) read by Jonathan Cullen and Pippa Nixon.

  • 00:10

    Nino Rota

    Love Theme (from ZeffirelliÂ’'s Romeo and Juliet)

    Performer: Orchestra conducted by Nino Rota.
    • CLOUD NINE CNS5000.
    • Tr17.
  • Margaret Mitchell

    Gone with the Wind (extract), read by Jonathan Cullen.

  • 00:13

    Antonín Dvořák

    Quartettsatz in A minor, B.40a

    Performer: Zemlinsky Quartet.
    • PRAGA PRD 350 028.
    • CD4 Tr5.
  • 00:19

    John Cage

    Sonata #10

    Performer: Joshua Pierce (prepared piano).
    • WERGO WER 60156-50.
    • tr13.
  • Helen Hoyt

    The Office Building, read by Pippa Nixon

  • 00:21

    John Dowland

    Loth to Depart

    Performer: Lee Santana (renaissance lute).
    • DHM 88697704362.
    • Tr17.
  • Thomas Campion

    Kisses, read by Jonathan Cullen

  • 00:27

    Irving Berlin and Ted Snyder

    Kiss me my honey, Kiss me

    Performer: Beth Tate (singer) with orchestra.
    • COLUMBIA LN2: 1917 LN3: m(78).
  • Robert Herrick

    Upon a Virgin Kissing a Rose, read by Jonathan Cullen

  • 00:30

    Frédéric Chopin

    Nocturne for piano (B.108) (Op.posth) in C minor [1837]

    Performer: Maria Joao-Pires (piano).
    • DG 447 096-2.
    • Tr11.
  • Arthur Weir

    A Child'Â’s Kiss, read by Jonathan Cullen

  • Christina Georgina Rossetti

    My Baby has a Mottled Fist, read by Pippa Nixon

  • 00:34

    Ives, orch. Adams

    Cradle Song

    Performer: Dawn Upshaw, Orchestra of St Lukes, John Adams.
    • ELEKTRA NONESUCH 7559 792492.
    • Tr4.
  • J. M. Barrie

    Peter Pan (extract – Wendy and Peter), read by Pippa Nixon

  • 00:36

    Francis Poulenc

    Romance (Sonata for clarinet and bassoon)

    Performer: Gervase de Peyer (clarinet), William Waterhouse (bassoon).
    • EMI 918514-2.
    • CD8 Tr6.
  • Jo Shapcott

    Muse, read by Jonathan Cullen

  • 00:39

    Ellington-Gordon-Mills

    Prelude to a Kiss

    Performer: Charlie Byrd (guitar), Keter Betts (bass), Bertell Knox (drums).
    • RIVERSIDE OJCCD9982.
    • Tr4.
  • T.S. Kerrigan

    Elvis Kissed Me, read by Pippa Nixon

  • 00:44

    Toru Takemitsu

    Waltz (Face of Another)

    Performer: London Sinfonietta, John Adams (conductor).
    • NONESUCH 7559 79404-2.
    • Tr4.
  • Robert Herrick

    Kisses Loathesome, read by Jonathan Cullen

  • 00:47

    Bach, arr. Safri Duo

    Sarabande (English Suite no.4 in F major, BWV809)

    Performer: Safri Duo.
    • CHANDOS CHAN 9339.
    • Tr4.
  • 00:49

    Igor Stravinsky

    By the Mill (Le Baiser de la Fée (the Fairy’s Kiss), Scene 3)

    Performer: Scottish National Orchestra, Neeme Jarvi (conductor).
    • CHANDOS CHAN 8360.
    • Tr3.
  • Sylvia Plath

    Never try to trick me with a kiss, read by Pippa Nixon

  • Robert Herrick

    Upon Lucia, read by Jonathan Cullen

  • 00:56

    Franz Liszt

    Kisse elenken (Five Hungarian Folksongs, S245)

    Performer: Leslie Howard (piano).
    • HYPERION CDA 66448.
    • Tr4.
  • Thomas Moore

    The Kiss, read by Jonathan Cullen

  • 00:57

    Brahms, transcr. Berio

    Andante un poco adagio (Sonata for Clarinet and Orchestra in F minor, Op.120 No.1)

    Performer: Fausto Ghiazza (clarinet), Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly (conductor).
    • DECCA 476 2830.
    • Tr9.
  • 01:02

    Macmillan

    Kiss on Wood (extract)

    Performer: Madeleine Mitchell (violin), Andrew Ball (piano).
    • Tr4.
  • Tennessee Williams

    Not Without Knowledge, read by Pippa Nixon

  • King James Bible

    Gospel of St Luke 22:47-53, read by Pippa Nixon

  • 01:07

    Saint-Colombe

    Le Precipité

    Performer: Hille Perl (viola da gamba), Lee Santana (theorbo).
    • BMG 05472 77373 2.
    • Tr9.
  • Rufinus (Ancient Greece)

    Europa Kisses Sweetly, read by Jonathan Cullen

  • Fleur Adcock

    Kissing, read by Pippa Nixon

  • 01:11

    Charles Trenet

    Que Reste-t-il De Nos Amours (Baisers Volés)

    Performer: Charles Trenet (chanteur), Orchestra directed by Leo Chauliac at the piano.
    • COLUMBIA 7465672.
    • Tr8.

Producer Note

Kissing is a universal part of life that is richly expressed in every culture.Ìý This edition of Words and Music portrays many types of kisses, from the innocent first kiss of a baby for its parents to the awkward first romantic kiss; there are friendly kisses, playground kisses, affectionate kisses, slimy kisses, ritual kisses and the kisses of betrayal.

Ìý

One thread that runs through the programme is the duet, which I use as a musical symbol of two people embraced in a kiss.Ìý The programme begins light-heartedly with a ‘Teasing Song’, one of Bartok’s 44 Duos for two violins, which sets up Bobbi Katz’s wonderful image of feline kisses as an alarm clock first thing in the morning.Ìý ‘I saw Esau kissing Kate’ is an anonymous playground rhyme read and sung by Pippa Nixon and Jonathan Cullen.Ìý It leads directly into Haydn’s setting of Johann Georg Jacobi’s poem Der erste Kuss beckoning ‘liebe Chloe’ for the first kiss that will bind them together.Ìý ÌýThe second duet of the programme, from Martinu’s Madrigals for Violin and Viola, opens with a soft shimmering effect that fits perfectly under the rustling leaves at the end of Karl Shapiro’s poem The Kiss (Eden Retold III) – the moment when ‘they jumped up from the fourth caress and hid’.

Ìý

Literature is full of kisses and the first that sprung to my mind was Shakespeare’s scene when Romeo kisses Juliet ‘by the book’, which is accompanied in this programme by the love theme from Zeffirelli’s soundtrack to the film Romeo and Juliet.Ìý Another equally famous literary kiss is Rhett Butler’s heady scene with Scarlett O’Hara in Gone with the Wind. ÌýDvorak’s florid Quartettsatz complements the ‘swimming giddiness’ experienced by Scarlet as she realizes that she is kissing Rhett Butler back.Ìý

Ìý

From high romance to the prospect of a kiss being the only cheer in the cold world of Helen Hoyt’s poem, ‘The Office Building’, which is accompanied by the measured, percussive sounds of John Cage’s Sonata # 10 for prepared piano.Ìý The only cheer being the prospect of a kiss is a theme that runs through the Dowland lute piece, Loth to Go, and Thomas Campion’s poem ‘Kisses’.Ìý The mood of the programme lightens with Beth Tate’s vintage recording of Berlin-Snyder’s Kiss me my Honey, Kiss me, which is followed by the first of three short poems by Robert Herrick that I use in this programme, almost like short kisses in themselves.Ìý

Ìý

°ä³ó´Ç±è¾±²Ô’s Nocturne in C minor, Op.Posth, leads into the heavenly warm kiss of a child in Arthur Weir’s poem, and then the third duet, a Romance by Poulenc for clarinet and bassoon, rocks gently out of the innocent kiss – the gift of an acorn button – of Peter Pan for Wendy and into the first poem in a sequence of more erotic kisses – Jo Shapcott’s poem, ‘Muse’.Ìý The laid-back, slightly melancholic sound of Charlie Byrd’s version of ‘Prelude to a Kiss’ is a perfect preamble to Kerrigan’s poem, ‘Elvis kissed me’.Ìý And Herrick’s revolting description of the slimy kiss is followed by Safri Duo’s arrangement of a sarabande from Bach’s English Suite No.4.Ìý

Ìý

Sylvia Plath warns readers not to trick her with a kiss, a misfortune which does fall upon the young man in Stravinsky’s Le Baiser de la Fée after dancing with his fiancée by the mill.Ìý ÌýÌýThe fiancée leaves the mill to put on her bridal gown and then the Fairy appears instead dressed in bridal guise.Ìý She confuses the young man with her supernatural power and tricks him into leading her to the Land of the Eternal Dwelling.Ìý

Ìý

Perhaps the most notoriously deceitful kiss is that given to Jesus by Judas Iscariot in his moment of betrayal.Ìý This reading from the Gospel of St Luke is accompanied by James Macmillan’s austerely beautiful Kiss on Wood, which refers to the Good Friday custom of kissing the wood of the Crucifix after it is unveiled at the Good Friday Mass.Ìý James Macmillan says that the piece can ‘equally represent a gesture of love’.Ìý

Ìý

The programme ends with the last of the five duets - La Precipité for viola da gamba and theorbo by Saint-Colombe, Fleur Adcock’s poem ‘Kissing’ and Charles Trenet’s cheerful chanson Que Reste-t-il de nos Amours from the film Baisers Volés.

Ìý

Ìý

Elizabeth Arno (producer)

Broadcasts

  • Sun 20 Jul 2014 17:45
  • Christmas Eve 2015 16:30

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