Opera matinee: Rimsky-Korsakov's The Golden Cockerel
Penny Gore presents the opera matinee: Rimsky-Korsakov's The Golden Cockerel, conducted by Ivor Bolton at Madrid's Teatro Real. Then, Shostakovich's Symphony No 12.
As part of Radio 3's season Breaking Free: A Century of Russian Culture, Penny Gore presents our opera matin茅e featuring Rimsky-Korsakov's The Golden Cockerel, a satire of Russian absolutism and imperialism, inspired on a poem by Pushkin. Ivor Bolton conducts the orchestra and chorus of the Teatro Real in Madrid with the bass Dmitiri Ulyanov as Tsar Dodon, the tenor Sergei Skorokhodov as Tsarevich Gvidon and the soprano Venera Gimadieva as the Tsaritsa of Shemakha. Between Acts 2 and 3 there is a short interlude based on The Golden Cockerel, a concert fantasy by Efrem Zimbalist and Hymn to the Sun by Fritz Kreisler. The opera is followed by Shostakovich's Symphony No 12, performed by the National Orchestra of Wales under conductor Thomas Sondergard.
2.00pm
Rimsky-Korsakov: The Golden Cockerel, opera in three acts
[Between Acts 2 and 3 there is a short interlude based on The Golden Cockerel, 'Concert Phantasy' by Efrem Zimbalist and 'Hymn to the Sun' by Fritz Kreisler]
Tsar Dodon ..... Dmitiri Ulyanov (bass)
Tsarevich Gvidon ..... Sergei Skorokhodov (tenor)
Tsarevich Afron ..... Alexey Lavrov (baritone)
General Polkan ..... Alexander Vinogradov (bass)
Amelfa, a housekeeper ..... Olesya Petrova (contralto)
Astrologer ..... Alexander Kravets (tenor altino)
Tsaritsa of Shemakha ..... Venera Gimadieva (coloratura soprano)
Little Golden Cockerel ..... Sara Blanch (soprano)
Teatro Real Chorus
Teatro Real Orchestra
Ivor Bolton (conductor)
4.15pm
Shostakovich: Symphony No 12 in D minor, Op 112 (The Year 1917)
大象传媒 National Orchestra of Wales
Thomas Sondergard (conductor).
Last on
Breaking Free: A Century of Russian Culture
大象传媒 Radio 3's exploration of the 1917 Russian Revolution and its cultural reverberations.
Music Played
-
Nikolai Rimsky-Korsakov
The Golden Cockerel: Epilogue
Singer: Alexander Kravets. Orchestra: Orquesta Titular del Teatro Real. Conductor: Ivor Bolton. -
Nikolai Rimsky-Korsakov
The Golden Cockerel: Act 1
Singer: Dmitry Ulyanov. Singer: Sergei Shorokhodov. Singer: Olesya Petrova. Orchestra: Orquesta Titular del Teatro Real. Conductor: Ivor Bolton. -
Nikolai Rimsky-Korsakov
The Golden Cockerel: Act 2
Singer: Dmitry Ulyanov. Singer: Sergei Shorokhodov. Singer: Olesya Petrova. Orchestra: Orquesta Titular del Teatro Real. Conductor: Ivor Bolton. -
Efrem Zimbalist
Variations on themes from Rimsky Korsakov's Le Coq d'or
Composer: Fritz Kreisler. Performer: Ivor Bolton. Performer: Gergana Gergova. -
Nikolai Rimsky-Korsakov
The Golden Cockerel: Act 3
Singer: Dmitry Ulyanov. Singer: Sergei Shorokhodov. Singer: Olesya Petrova. Orchestra: Orquesta Titular del Teatro Real. Conductor: Ivor Bolton. -
Nikolai Rimsky-Korsakov
The Golden Cockerel: Epilogue
Singer: Alexander Kravets. Orchestra: Orquesta Titular del Teatro Real. Conductor: Ivor Bolton. -
Dmitry Shostakovich
Symphony No 12 in D minor, Op.112 (The Year 1917)
Orchestra: 大象传媒 National Orchestra of Wales. Conductor: Thomas S酶nderg氓rd. -
Dmitry Shostakovich
Prelude and Fugue in A flat major, Op.87 no.17
Performer: Alexander Melnikov.- Shostakovich The Preludes & Fugues Alexander Melnikov Piano.
- Harmonia Mundi.
- 1.
Synopsis
Prologue
After quotation by the orchestra of the most important leitmotifs, a mysterious Astrologer comes before the curtain and announces to the audience that, although they are going to see and hear a fictional tale from long ago, his story will have a valid and true moral.
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Act 1
The bumbling Tsar Dodon talks himself into believing that his country is in danger from a neighbouring state, Shemakha, ruled by a beautiful tsaritsa. He seeks the advice of the Astrologer, who supplies a magic Golden Cockerel to safeguard the tsar's interests. When the little cockerel confirms that the Tsaritsa of Shemakha does harbour territorial ambitions, Dodon decides to pre-emptively strike Shemakha, sending his army to battle under the command of his two sons.
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Act 2
Dodon鈥檚 sons are both so inept that they manage to kill each other on the battlefield so Tsar Dodon decides to lead the army himself. Further bloodshed is averted, however, as the old tsar becomes besotted when he actually sees the beautiful Tsaritsa. The Tsaritsa encourages Dodon by performing a seductive dance, which tempts the Tsar to try and partner her but he is clumsy and makes a complete mess of it. The Tsaritsa realises that she can take over Dodon鈥檚 country without further fighting, engineering a marriage proposal from Dodon, which she coyly accepts.
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Act 3
The final scene starts with the wedding procession in all its splendour. Following the procession, the Astrologer appears to remind Dodon of his promise to provide anything he asked for if there could be a happy resolution to the Tsar鈥檚 troubles. The Tsar acknowledges the deal and the astrologer demands as payment the Tsaritsa of Shemakha. The Tsar flares up in fury, striking down the Astrologer with a blow from his mace. The Golden Cockerel, loyal to his Astrologer master, then swoops across and pecks through the Tsar鈥檚 jugular. The sky darkens. When light returns, tsaritsa and little cockerel are gone.
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Epilogue
The Astrologer comes again before the curtain and announces the end of his story, reminding the public that what they just saw was 鈥渕erely illusion,鈥 that only he and the tsaritsa were mortals and real.
Credit
Role | Contributor |
---|---|
Actor | 大象传媒 National Orchestra of Wales |
Broadcast
- Thu 9 Nov 2017 14:00大象传媒 Radio 3