Pines of Rome
Donald Macleod examines how Respighi’s life and career took a new direction, following his marriage to Elsa.
Donald Macleod examines how Respighi’s life and career took a new direction, following his marriage to Elsa.
This week, we’re invited to explore the richly evocative musical landscape of Ottorino Respighi. The colourful inventiveness of his most popular music was often inspired by images, places or stories, like his trio of ‘Tone Poems’: Pines of Rome, Fountains of Rome, and Roman Festivals. These works and others were frequently championed by celebrated conductor, Arturo Toscanini, and Respighi rose to become one of the leading Italian composers of the 20th century. He remains hugely popular with orchestras and audiences today. Respighi’s trademark orchestral brilliance betrays the influence of his Russian mentor, Rimsky-Korsakov. He was also fascinated by early music and sometimes incorporated antique styles into his works. In this series, Donald Macleod explores Respighi’s life and music from different perspectives, including his associations with Bologna, Rome and the USA, the important presence of his wife, Elsa, and also his complicated relationship with Toscanini.
In 1915, Ottorino Respighi found he had a new student in his composition class, Elsa Olivieri-Sangiacomo. They fell in love and, a few years later, were married. Elsa’s support and encouragement proved crucial for Respighi, with Elsa sacrificing her own artistic ambitions in favour of her husband’s career. Soon after their wedding, Elsa sparked Respighi’s interest in Gregorian Chant, which led to the composition of his Concerto Gregoriano for violin and orchestra,. It was also in the early years of their marriage that Respighi produced another of his most famous works, the Pines of Rome.
Ancient Airs and Dances, Suite No 2, P. 138 (Danza Rustica)
Sinfonia 21
Richard Hickox, conductor
Tre preludi sopra melodie gregoriane, P. 131 (excerpt)
Konstantin Scherbakov, piano
Pines of Rome, P. 141
Orchestra Filarmonica della Scala
Riccardo Chailly, conductor
Concerto Gregoriano, P. 135 (Finale)
Lydia Mordkovitch, violin
´óÏó´«Ã½ Philharmonic
Sir Edward Downes, conductor
Produced by Luke Whitlock, for ´óÏó´«Ã½ Wales
Last on
Music Played
-
Ottorino Respighi
Ancient Airs and Dances, Suite No 2, (Danza Rustica)
Orchestra: Sinfonia 21. Conductor: Richard Hickox.- CHANDOS : CHAN-9415.
- CHANDOS.
- 12.
-
Ottorino Respighi
Tre preludi sopra melodie gregoriane (excerpt)
Performer: Konstantin Scherbakov.- NAXOS : 8.-553704.
- NAXOS.
- 18.
-
Ottorino Respighi
Pini Di Roma
Orchestra: La Scala Philharmonic. Conductor: Riccardo Chailly.- DECCA : 485-041-5.
- DECCA.
- 1.
-
Ottorino Respighi
Concerto Gregoriano (Finale)
Performer: Lydia Mordkovitch. Orchestra: ´óÏó´«Ã½ Philharmonic. Conductor: Sir Edward Downes.- CHANDOS : CHAN-9232.
- CHANDOS.
- 4.
Broadcast
- Wed 23 Feb 2022 12:00´óÏó´«Ã½ Radio 3
Vaughan Williams Today
Beethoven Unleashed – the box set
What was really wrong with Beethoven?
Composers A to Z
Who knew? Five eye-opening stories from Composer of the Week
Five reasons why we love Parry's Jerusalem
What is the strange power of Jerusalem which makes strong men weep?
A man out of time – why Parry's music and ideas were at odds with his image...
The composer of Jerusalem was very far from the conservative figure his image suggests.
Composer Help Page
Find resources and contacts for composers from within the classical music industry.