´óÏó´«Ã½

Her family and private life, in particular her relationship with her sister Cassandra

Christopher Cook interviews an unspecified speaker about writing

Helen Hobson on singing in musicals and playing Clara in Passion and Cathy in Heathcliff

A discussion of Shakespeare's Othello and its issues of race and nationality

Jack, Vera and Hilary are travelling to Australia - Stephen is their steward on their ship

Irish playwright, Conor McPherson on his play set in an out of season seaside town

A discussion of the play of Faust by Goethe and today's notions of sin and evil

A light comedy or a serious drama?

Jose Triana's Medea in the Mirror is set in pre-revolutionary Cuba

With themes of nationality, passion, relationships - and a grandma with a mysterious past

Being involved in both the stage and radio version of a play

How London has been the subject of and setting for films over the last 100 years

Director David Thacker talks about the play set in November 1938 about Kristallnacht

Commissioned by the Clean Break Theatre Company and written by Winsome Pinnock

The themes of sex and class make Strindberg's play appealing to British audiences

Ned Sherrin discusses the musical Salad Days by Dorothy Reynolds and Julian Slade

Review of Peter Høeg's book, a thriller set in Denmark and the island of Gela Alta

Joyce Carol Oates describes writing this radio drama

A discussion of Sue Glover's play Bondagers

Travelling to Europe to find the next play that spells success for a UK audience

Working with Isabel Allende to make a play out of her novel, House of Spirits

Bryony Lavery on her character Millie who shrinks to the size of an ant

"Principals can use 16 pairs of shoes a month" discussion on pointe shoes used in ballet

Unknown speaker explains how he used the story or Genesis to rewrite a play.

The art of making wigs with real hair for use in theatre productions

Playing the piano and the how styles of music convey meaning in silent films

Louise Swan talks to Sharon Gless about the play Chapter Two by Neil Simon

Phyllida Lloyd on the moving from directing plays to directing opera

The cast talks about the show's appeal for baby boomers and the fact the show has no plot

Indhu Rubasingham discusses constructing a play in which women meet their younger selves