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29 October 2014
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How much of your day is occupied by music, thinking about it, playing it.
Damon: Over the last ten years I've spent far too much time thinking about music, to the point of distraction.

There's a great story about Brian Wilson who said he had so many musical thoughts in his head that it was unbearable. His prolific output was due to trying to get these thoughts out. Can you relate to that in any way?
Damon: That's what it's like to be a song-writer. When you're writing an album the songs are constantly in your head all day long. You can't escape them. You're constantly trying to better them or see what musical accompaniment would best suit that song. Brian Wilson might be different because he was mentally disturbed by it a lot of the time but for me it's the physical thing of having songs there. I've learned to switch off from it to a degree because you can't have it there all the time. I haven't got time to unleash all these songs any more. I'm willing to wait for the next period when I've got time to write before it bothers me

Are you a fan of The Coral?
Damon: I think the Coral are brilliant. The song 'Dreaming of You' is my favourite song on the record. I met them a while ago before they got their record deal. I think the current climate's strange - I think there are bands who are getting too much focus and others that aren't.

Who do you think deserves a bit more?
Damon: Myself and bands like The Coral as opposed to the same band every week in the NME. I think there's such a wide range of music that's out there that needs to be heard. At the moment, there's a fascination with American guitar music and a lot of it is fantastic but the press try and create scenes that don't really exist.

Speaking as a Northern lad, why do you think a city such as Manchester produces so many great bands and still continues to do so?
Damon: Maybe it's down to the geography or hard-ship of the place. The cliched answer is you're ultimately talking about working class places. Maybe certain places exist with more soul and affinity to music. Maybe cities like Manchester and Liverpool are not too big to lose focus. London's such a huge melting pot that you don't get the same rate of London bands coming through as it's much bigger. Manchester accelerated my climb to where I am because historically you have bands like The Smiths, New Order, The Stone Roses and loads of others.

Ìý Simply Red Ìý
Ìý "That's a bit supermarket, isn't it. I'm not making that many bottles. " Ìý
Ìý Robin Gibb Ìý
Ìý "There's been great moments both as a songwriter and as a performer." Ìý
Ìý Paul Roberts - The Stranglers Ìý
Ìý "We certainly weren't going to call ourselves The Bay City Rollers." Ìý
Ìý Lisa Stansfield Ìý
Ìý "I just thought, how many times do I have to sing this song?" Ìý
Ìý Soft Cell Ìý
Ìý "I think it's the only time that a banjo's been played in the Ministry of Sound." Ìý
Ìý Erasure Ìý
Ìý "Agnetha said she liked it. If I met them I would curtsey." Ìý
Ìý INXS Ìý
Ìý "We really surprised lots of people by simply hanging in there." Ìý
Ìý Kim Wilde Ìý
Ìý "I used to be really jealous of Claire Grogan...I thought she was gorgeous." Ìý
Ìý Dollar Ìý
Ìý "Failure was not an option, we were materialistic and greed was good." Ìý
Ìý Human League Ìý
Ìý "We did a US tour with Culture Club and Howard Jones...solely for the cash." Ìý
Ìý Altered Images Ìý
Ìý "Women were treated as a bit of a novelty in the music business in 1981." Ìý
Ìý Belle Stars Ìý
Ìý "The pop music lark just seems like a lifetime away now." Ìý
Ìý Steve Strange Ìý
Ìý "Look, you’re playing me like a bitchy queen and I’m not like that." Ìý
Ìý Five Star Ìý
Ìý "We all grew up wanting to be famous and we lived our dream..." Ìý
Ìý Phillip from Ruby Flipper Ìý
Ìý "At my age, I'd find it difficult to get my legs where they used to go..." Ìý
Ìý Glen Campbell Ìý
Ìý "I got to work with literally everyone in the business; Nat King Cole, Sinatra..." Ìý
Ìý David Gray Ìý
Ìý "Lots of tension in the camp. We're battling Gareth Gates for the No.1 spot" Ìý
Ìý Robert Palmer Ìý
Ìý "There's this homegenised force feeding of what is hip." Ìý
Ìý Marilyn Ìý
Ìý "I think George manipulated our relationship for publicity" Ìý
Ìý Tom Jones Ìý
Ìý "I'm pulling all my old jewellery out now and comparing my rings with Wyclef" Ìý
Ìý Ruth From Pan's People Ìý
Ìý "I could show you dozens of times I forgot the moves..." Ìý
Ìý Badly Drawn Boy Ìý
Ìý "Everybody has to do what everybody else does in order to have a hit single" Ìý
Ìý John Otway Ìý
Ìý "I think the music business is probably not happy with what we've done..." Ìý
Ìý Jimmy Cliff Ìý
Ìý "I look at someone like Ms Dynamite, I come away with a positive feeling." Ìý
Ìý Human League Ìý
Ìý "We wouldn't trust anyone that didn't wear eyeliner." Ìý
Ìý Status Quo Ìý
Ìý "I probably went about four or five years with a pair of stage jeans" Ìý
Ìý Gary Numan Ìý
Ìý "There are so many things in my past that you could make fun of." Ìý
Ìý McAlmont and Butler Ìý
Ìý "We were big enough to get over any-thing that may have been exchanged." Ìý
Ìý Primal Scream Ìý
Ìý "The producer at the time told us we'd never work again." Ìý
Ìý Oasis Ìý
Ìý "I prefer miming, I prefer if we weren’t playing live." Ìý


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