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24 September 2014
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Is it true that you recorded a follow up to 'Octopus' that never got released?


Ìý Phil: We did six months work in Sheffield and that was crap so we threw it away. Then I went to London to work in Battersea with Ross Cullum. We did a really intense six months and some good ideas turned up there. We listened to a load of other stuff for inspiration. Ross was also playing around with different distortion techniques, so from that work we ended up with like a table of effects really. More ideas developed from that and had a lot to do with the final sound of 'Secrets'.



So essentially you spent a year or more working on the album?


Phil: It was 13 months with Toy, but then we were dropped by East West, just after the stuff with Ross. We were basically costing them more than they were making them.
Joanne: The record company got completely restructured, the managing director left and most of their bands were just dropped. They were disposing of bands that were in the Top 10 at the time.



It seems odd that they would drop you. 'Octopus' had gained fantastic success, and didn't Virgin release your greatest hits off the back of it?


Phil: Well...I hate talking about the but it is the all time apochryphal tale that Mel B was dropped with a No.1 hit in tow.
Joanne: 'Octopus' was a success, but again the decision to drop us had nothing to do with how good we were doing. At the time, East West also had
they were earning bucket loads but were dropped all the same. I think they got rid or more or less everyone...

Phil: Except, I think the American stuff. I think they wanted quick turn around. Specifically, we were signed up by Ian Stanley for East West and he and his best friend, the managing director, both left. At that point we might as well have left anyway. There's no point being there without anyone to support you.
Joanne: We've done that before as well. When we were with Virgin, there was no one there that understood us, supported us or really knew why we were on their label. That doesn't help your career at all..it's not productive.

Susanne: It had been taken over by EMI as well, it was just massive...



Ìý Simply Red Ìý
Ìý "That's a bit supermarket, isn't it. I'm not making that many bottles. " Ìý
Ìý Robin Gibb Ìý
Ìý "There's been great moments both as a songwriter and as a performer." Ìý
Ìý Paul Roberts - The Stranglers Ìý
Ìý "We certainly weren't going to call ourselves The Bay City Rollers." Ìý
Ìý Lisa Stansfield Ìý
Ìý "I just thought, how many times do I have to sing this song?" Ìý
Ìý Soft Cell Ìý
Ìý "I think it's the only time that a banjo's been played in the Ministry of Sound." Ìý
Ìý Erasure Ìý
Ìý "Agnetha said she liked it. If I met them I would curtsey." Ìý
Ìý INXS Ìý
Ìý "We really surprised lots of people by simply hanging in there." Ìý
Ìý Kim Wilde Ìý
Ìý "I used to be really jealous of Claire Grogan...I thought she was gorgeous." Ìý
Ìý Dollar Ìý
Ìý "Failure was not an option, we were materialistic and greed was good." Ìý
Ìý Human League Ìý
Ìý "We did a US tour with Culture Club and Howard Jones...solely for the cash." Ìý
Ìý Altered Images Ìý
Ìý "Women were treated as a bit of a novelty in the music business in 1981." Ìý
Ìý Belle Stars Ìý
Ìý "The pop music lark just seems like a lifetime away now." Ìý
Ìý Steve Strange Ìý
Ìý "Look, you’re playing me like a bitchy queen and I’m not like that." Ìý
Ìý Five Star Ìý
Ìý "We all grew up wanting to be famous and we lived our dream..." Ìý
Ìý Phillip from Ruby Flipper Ìý
Ìý "At my age, I'd find it difficult to get my legs where they used to go..." Ìý
Ìý Glen Campbell Ìý
Ìý "I got to work with literally everyone in the business; Nat King Cole, Sinatra..." Ìý
Ìý David Gray Ìý
Ìý "Lots of tension in the camp. We're battling Gareth Gates for the No.1 spot" Ìý
Ìý Robert Palmer Ìý
Ìý "There's this homegenised force feeding of what is hip." Ìý
Ìý Marilyn Ìý
Ìý "I think George manipulated our relationship for publicity" Ìý
Ìý Tom Jones Ìý
Ìý "I'm pulling all my old jewellery out now and comparing my rings with Wyclef" Ìý
Ìý Ruth From Pan's People Ìý
Ìý "I could show you dozens of times I forgot the moves..." Ìý
Ìý Badly Drawn Boy Ìý
Ìý "Everybody has to do what everybody else does in order to have a hit single" Ìý
Ìý John Otway Ìý
Ìý "I think the music business is probably not happy with what we've done..." Ìý
Ìý Jimmy Cliff Ìý
Ìý "I look at someone like Ms Dynamite, I come away with a positive feeling." Ìý
Ìý Human League Ìý
Ìý "We wouldn't trust anyone that didn't wear eyeliner." Ìý
Ìý Status Quo Ìý
Ìý "I probably went about four or five years with a pair of stage jeans" Ìý
Ìý Gary Numan Ìý
Ìý "There are so many things in my past that you could make fun of." Ìý
Ìý McAlmont and Butler Ìý
Ìý "We were big enough to get over any-thing that may have been exchanged." Ìý
Ìý Primal Scream Ìý
Ìý "The producer at the time told us we'd never work again." Ìý
Ìý Oasis Ìý
Ìý "I prefer miming, I prefer if we weren’t playing live." Ìý


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