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24 September 2014
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How have you managed to maintain such a huge gathering of followers over the last 25 years?
John: Well, it's been an interesting career. Since I last appeared on Top Of The Pops, I've been doing about 150 live shows every year. The live shows have always been well received and they consistently worked, it's just the records that haven't been very good. The fans have been great, they've stuck with me through a lot of hit-less years and I think they were as determined as I was that it was time to put an end to the lack of hits.

You've just come off tour too haven't you? How did it go?
John: It was great, as the tour went on the audience started growing in number, as everyone could smell 'the hit'! We also booked the London Palladium for the night the chart came out, so that we could celebrate it if it made it. It was so great, 2,000 people were there, many of whom had worked really hard all year to make it another hit for me. Johnny Walker was there too, giving us the chart rundown. The place just went ballistic. It was just one of those rare, rare gigs when everyone was just so happy. It was a great way to celebrate my birthday, which was that day, but also a brilliant way to thank my fans. I can't thank them enough, it was their hit. I mean, a thousand of them sang on the B-side to just give it a bit of a helping hand. It was such a fantastic birthday present, I never imagined how big it would be.

You mention the B-side, which was a cover of the classic 'House Of The Rising Sun'. Why did you choose that track particularly?
John: Well, we'd kinda noticed that over the years people had started heckling whenever the band performed that song. So, we came up with a good idea for the B-side and thought why not invite all those hecklers to come along to Abbey Road studios to contribute to the track. There was a thousand of them that turned up, but the funny thing is that on 'the hit' they're all named as backing vocalists. See, I'm really quite clever really. I knew if we did that, everyone named would buy one for themselves, as well as for their mum or something...just to say the'd been on a hit!

So what was it like recording at Abbey Road?
John: It was an absolutely great day. I mean neither myself, the band nor the fans had been to Abbey Road before. We had to remind the fans that it wasn't tourists' day out, but that we were there to record the B-side of a potential hit. We couldn't really tell Abbey Road that we were bringing in a group of a thousand hecklers either, so we had to tell them we were bringing in a 'choir'. It was quite funny though because Abbey Road asked what we were bringing them in for and I said that it was for the B-side of my next hit...you could just see them thinking "what on earth is he going to do for the A-side"?

Ìý Simply Red Ìý
Ìý "That's a bit supermarket, isn't it. I'm not making that many bottles. " Ìý
Ìý Robin Gibb Ìý
Ìý "There's been great moments both as a songwriter and as a performer." Ìý
Ìý Paul Roberts - The Stranglers Ìý
Ìý "We certainly weren't going to call ourselves The Bay City Rollers." Ìý
Ìý Lisa Stansfield Ìý
Ìý "I just thought, how many times do I have to sing this song?" Ìý
Ìý Soft Cell Ìý
Ìý "I think it's the only time that a banjo's been played in the Ministry of Sound." Ìý
Ìý Erasure Ìý
Ìý "Agnetha said she liked it. If I met them I would curtsey." Ìý
Ìý INXS Ìý
Ìý "We really surprised lots of people by simply hanging in there." Ìý
Ìý Kim Wilde Ìý
Ìý "I used to be really jealous of Claire Grogan...I thought she was gorgeous." Ìý
Ìý Dollar Ìý
Ìý "Failure was not an option, we were materialistic and greed was good." Ìý
Ìý Human League Ìý
Ìý "We did a US tour with Culture Club and Howard Jones...solely for the cash." Ìý
Ìý Altered Images Ìý
Ìý "Women were treated as a bit of a novelty in the music business in 1981." Ìý
Ìý Belle Stars Ìý
Ìý "The pop music lark just seems like a lifetime away now." Ìý
Ìý Steve Strange Ìý
Ìý "Look, you’re playing me like a bitchy queen and I’m not like that." Ìý
Ìý Five Star Ìý
Ìý "We all grew up wanting to be famous and we lived our dream..." Ìý
Ìý Phillip from Ruby Flipper Ìý
Ìý "At my age, I'd find it difficult to get my legs where they used to go..." Ìý
Ìý Glen Campbell Ìý
Ìý "I got to work with literally everyone in the business; Nat King Cole, Sinatra..." Ìý
Ìý David Gray Ìý
Ìý "Lots of tension in the camp. We're battling Gareth Gates for the No.1 spot" Ìý
Ìý Robert Palmer Ìý
Ìý "There's this homegenised force feeding of what is hip." Ìý
Ìý Marilyn Ìý
Ìý "I think George manipulated our relationship for publicity" Ìý
Ìý Tom Jones Ìý
Ìý "I'm pulling all my old jewellery out now and comparing my rings with Wyclef" Ìý
Ìý Ruth From Pan's People Ìý
Ìý "I could show you dozens of times I forgot the moves..." Ìý
Ìý Badly Drawn Boy Ìý
Ìý "Everybody has to do what everybody else does in order to have a hit single" Ìý
Ìý John Otway Ìý
Ìý "I think the music business is probably not happy with what we've done..." Ìý
Ìý Jimmy Cliff Ìý
Ìý "I look at someone like Ms Dynamite, I come away with a positive feeling." Ìý
Ìý Human League Ìý
Ìý "We wouldn't trust anyone that didn't wear eyeliner." Ìý
Ìý Status Quo Ìý
Ìý "I probably went about four or five years with a pair of stage jeans" Ìý
Ìý Gary Numan Ìý
Ìý "There are so many things in my past that you could make fun of." Ìý
Ìý McAlmont and Butler Ìý
Ìý "We were big enough to get over any-thing that may have been exchanged." Ìý
Ìý Primal Scream Ìý
Ìý "The producer at the time told us we'd never work again." Ìý
Ìý Oasis Ìý
Ìý "I prefer miming, I prefer if we weren’t playing live." Ìý


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