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24 September 2014
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Did it ever feel like the track was over-taking the two of you in any sense?
Ìý Dave: I think it did, yeah, at one point. A lot of people at one time hadn't heard of Soft Cell, but had heard of 'Tainted Love', and I think we got a bit fed up with it. We went through a bit of a petulant stage, when we refused to play it live. But, I think we're big enough now to play it live. I don't think either of us would go home and put that record on though. It's not something I would listen to for pleasure now. [Laughs]
Marc: It's just something that has taken on a life of it's own and belongs to the public now. It doesn't feel like ours now when we perform it. We have our hardcore fans that will know every track on every album, but there's a whole other audience that just know us for that or just the biggest hits that we've had. So, I think it kinda belongs to the public in that way really.

Getting back to 'The Night', it does have a very electro-clash feel. Looking back, do you see yourselves as the founders of that sort of thing?
Dave: I think we were probably among some of the originals. I mean obviously there was Human League and Cabaret Voltaire. I don't know whether it's down to synchronicity or what, but there just seemed to be a new kind of wave in music at the time. There were people from Sheffield, us from Leeds, but it just seemed like a new movement at the time. Everyone was thinking up their own ideas though.
Marc: Soft Cell were always very song orientated though. Strong songs and choruses have always been very important to us. Maybe that makes us a bit old fashioned in a way, I don't know ... The thing about electro-clash though is that it brings really great beats and sounds and it's very visual and theatrical, something that's missing now really. There seems to be a real lack of strong songs or anthems at the moment. Fischerspooner had 'Emerge' and Ladytron are doing things that are kinda crossing over with pop, but I think a lot of stuff at the moment is in danger of becoming another passing, underground fad, never really making it's mark as a strong musical movement.

Do you think then that songs lack a certain sense of story now?
Marc: I think it's about beats, sounds and effects and in a way now, you could say it's all about presentation without any of this substance. We really need some strong songs to come from the electro-clash thing, it won't make it's mark otherwise.



Ìý Simply Red Ìý
Ìý "That's a bit supermarket, isn't it. I'm not making that many bottles. " Ìý
Ìý Robin Gibb Ìý
Ìý "There's been great moments both as a songwriter and as a performer." Ìý
Ìý Paul Roberts - The Stranglers Ìý
Ìý "We certainly weren't going to call ourselves The Bay City Rollers." Ìý
Ìý Lisa Stansfield Ìý
Ìý "I just thought, how many times do I have to sing this song?" Ìý
Ìý Soft Cell Ìý
Ìý "I think it's the only time that a banjo's been played in the Ministry of Sound." Ìý
Ìý Erasure Ìý
Ìý "Agnetha said she liked it. If I met them I would curtsey." Ìý
Ìý INXS Ìý
Ìý "We really surprised lots of people by simply hanging in there." Ìý
Ìý Kim Wilde Ìý
Ìý "I used to be really jealous of Claire Grogan...I thought she was gorgeous." Ìý
Ìý Dollar Ìý
Ìý "Failure was not an option, we were materialistic and greed was good." Ìý
Ìý Human League Ìý
Ìý "We did a US tour with Culture Club and Howard Jones...solely for the cash." Ìý
Ìý Altered Images Ìý
Ìý "Women were treated as a bit of a novelty in the music business in 1981." Ìý
Ìý Belle Stars Ìý
Ìý "The pop music lark just seems like a lifetime away now." Ìý
Ìý Steve Strange Ìý
Ìý "Look, you’re playing me like a bitchy queen and I’m not like that." Ìý
Ìý Five Star Ìý
Ìý "We all grew up wanting to be famous and we lived our dream..." Ìý
Ìý Phillip from Ruby Flipper Ìý
Ìý "At my age, I'd find it difficult to get my legs where they used to go..." Ìý
Ìý Glen Campbell Ìý
Ìý "I got to work with literally everyone in the business; Nat King Cole, Sinatra..." Ìý
Ìý David Gray Ìý
Ìý "Lots of tension in the camp. We're battling Gareth Gates for the No.1 spot" Ìý
Ìý Robert Palmer Ìý
Ìý "There's this homegenised force feeding of what is hip." Ìý
Ìý Marilyn Ìý
Ìý "I think George manipulated our relationship for publicity" Ìý
Ìý Tom Jones Ìý
Ìý "I'm pulling all my old jewellery out now and comparing my rings with Wyclef" Ìý
Ìý Ruth From Pan's People Ìý
Ìý "I could show you dozens of times I forgot the moves..." Ìý
Ìý Badly Drawn Boy Ìý
Ìý "Everybody has to do what everybody else does in order to have a hit single" Ìý
Ìý John Otway Ìý
Ìý "I think the music business is probably not happy with what we've done..." Ìý
Ìý Jimmy Cliff Ìý
Ìý "I look at someone like Ms Dynamite, I come away with a positive feeling." Ìý
Ìý Human League Ìý
Ìý "We wouldn't trust anyone that didn't wear eyeliner." Ìý
Ìý Status Quo Ìý
Ìý "I probably went about four or five years with a pair of stage jeans" Ìý
Ìý Gary Numan Ìý
Ìý "There are so many things in my past that you could make fun of." Ìý
Ìý McAlmont and Butler Ìý
Ìý "We were big enough to get over any-thing that may have been exchanged." Ìý
Ìý Primal Scream Ìý
Ìý "The producer at the time told us we'd never work again." Ìý
Ìý Oasis Ìý
Ìý "I prefer miming, I prefer if we weren’t playing live." Ìý


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