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29 October 2014
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What was the 'breaking wind' incident all about then?
"Well it was nothing really, but the fact that you said it on TV, people were really worried about it. It was a record by Pete Wylie - one of the Wa Hees or the mighty Wah - was it a comeback? I said: "If this doesn’t get to number one I’m going to come and break wind in your kitchen." It’s not kind of a waspish thing, it doesn’t get into books or things or quotations. It’s not a fantastically clever thing to say - but having said it on TOTP. Producer Michael Hurl (who was a bit of an authoritarian figure I always felt - the idea that he was the man who generated a party atmosphere, I don’t remember that at all) was in Australia and apparently he was woken in the Australian equivalent of the Novotel in the middle of the night and alerted to the extraordinary danger to national security that had been engendered by me making this remark about breaking wind in people’s kitchens. I thought that this was hilariously funny - not the remark itself, but the consequences of it."

How did you introduce ?

"I said: "This is the band that put the tree back into country" which is a variant on a well established old joke."

What about when you introduced Keith Harrison and Orville?
"I don't remember that at all... I think that was the kind of smart arse that I was."

And George Cole and Dennis Waterman?

"They wouldn’t let me introduce Dennis Waterman - what was the record they made? I had some kind of hilarious introduction that they didn’t like and word got back to me that they were seriously displeased and steps would be taken if I didn’t amend my introduction and being nothing, if not a coward - I amended my introduction."

What was the best act you remember introducing then?
"Do you remember Curtis Heyston - One Hit Wonder - I don’t know what his hit was called. He was a kind of 18-year-old black lad from Detroit or something. It just suddenly hit me that this was the only thing that’s going to happen to him in all of his life. I hoped it was going to be the start of a string of hits. But he was never heard of again."

What was special about the era for you?

"Well nothing, really, except for the fact that we were asked to do TOTP. Actually we did do it more than anybody else at that time. It was a funny sort of experience because people would recognise you afterwards but only for about two days and then you would slip back into oblivion again. I like oblivion - that’s where I’ve spent most of my life. But then what did it do for me? Kid took the Capital Radio dollar - millions of dollars - and disappeared from Radio 1. So they obviously said "You can’t deal with him anymore". A bloke came up to me - I’d been to the stock car racing at Ipswich and this bloke came up to me and said slightly drunk, "Are you the bloke off the telly?". And I thought "No, I’m not really, I’m their dad!" the idea of being the 'bloke off the telly' was most unattractive. So I just said I didn’t want to do it anymore."

Ìý Simply Red Ìý
Ìý "That's a bit supermarket, isn't it. I'm not making that many bottles. " Ìý
Ìý Robin Gibb Ìý
Ìý "There's been great moments both as a songwriter and as a performer." Ìý
Ìý Paul Roberts - The Stranglers Ìý
Ìý "We certainly weren't going to call ourselves The Bay City Rollers." Ìý
Ìý Lisa Stansfield Ìý
Ìý "I just thought, how many times do I have to sing this song?" Ìý
Ìý Soft Cell Ìý
Ìý "I think it's the only time that a banjo's been played in the Ministry of Sound." Ìý
Ìý Erasure Ìý
Ìý "Agnetha said she liked it. If I met them I would curtsey." Ìý
Ìý INXS Ìý
Ìý "We really surprised lots of people by simply hanging in there." Ìý
Ìý Kim Wilde Ìý
Ìý "I used to be really jealous of Claire Grogan...I thought she was gorgeous." Ìý
Ìý Dollar Ìý
Ìý "Failure was not an option, we were materialistic and greed was good." Ìý
Ìý Human League Ìý
Ìý "We did a US tour with Culture Club and Howard Jones...solely for the cash." Ìý
Ìý Altered Images Ìý
Ìý "Women were treated as a bit of a novelty in the music business in 1981." Ìý
Ìý Belle Stars Ìý
Ìý "The pop music lark just seems like a lifetime away now." Ìý
Ìý Steve Strange Ìý
Ìý "Look, you’re playing me like a bitchy queen and I’m not like that." Ìý
Ìý Five Star Ìý
Ìý "We all grew up wanting to be famous and we lived our dream..." Ìý
Ìý Phillip from Ruby Flipper Ìý
Ìý "At my age, I'd find it difficult to get my legs where they used to go..." Ìý
Ìý Glen Campbell Ìý
Ìý "I got to work with literally everyone in the business; Nat King Cole, Sinatra..." Ìý
Ìý David Gray Ìý
Ìý "Lots of tension in the camp. We're battling Gareth Gates for the No.1 spot" Ìý
Ìý Robert Palmer Ìý
Ìý "There's this homegenised force feeding of what is hip." Ìý
Ìý Marilyn Ìý
Ìý "I think George manipulated our relationship for publicity" Ìý
Ìý Tom Jones Ìý
Ìý "I'm pulling all my old jewellery out now and comparing my rings with Wyclef" Ìý
Ìý Ruth From Pan's People Ìý
Ìý "I could show you dozens of times I forgot the moves..." Ìý
Ìý Badly Drawn Boy Ìý
Ìý "Everybody has to do what everybody else does in order to have a hit single" Ìý
Ìý John Otway Ìý
Ìý "I think the music business is probably not happy with what we've done..." Ìý
Ìý Jimmy Cliff Ìý
Ìý "I look at someone like Ms Dynamite, I come away with a positive feeling." Ìý
Ìý Human League Ìý
Ìý "We wouldn't trust anyone that didn't wear eyeliner." Ìý
Ìý Status Quo Ìý
Ìý "I probably went about four or five years with a pair of stage jeans" Ìý
Ìý Gary Numan Ìý
Ìý "There are so many things in my past that you could make fun of." Ìý
Ìý McAlmont and Butler Ìý
Ìý "We were big enough to get over any-thing that may have been exchanged." Ìý
Ìý Primal Scream Ìý
Ìý "The producer at the time told us we'd never work again." Ìý
Ìý Oasis Ìý
Ìý "I prefer miming, I prefer if we weren’t playing live." Ìý


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