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Chopin: Prelude, Op.28, No.15 - AQAThe elements of music to consider

Prelude No.15 in Db major, also known as the 鈥楻aindrop鈥, was written by Polish composer Fr茅d茅ric Chopin in 1839. The prelude is famous for its repeating Ab, which is heard throughout the piece and is thought to sound like raindrops.

Part of MusicWestern classical tradition 1650 to 1910

The elements of music to consider

The score

The score is very detailed - it includes a lot of markings for the performer to follow. These include markings, fingerings, markings and Italian terms. The pedal markings are given under the bass stave. They show the pianist where to apply the (ped.) and release it. The fingerings are given in small numbers on some of the notes.

An extract from the piece with the symbols to tell the performer when to apply or release the pedal.
Figure caption,
An example of how much information the performer must be aware of to play the piece as Chopin intended

Structure

Bear in mind the following structural features in Prelude No.15:

  • it is written in form (A-B-A1) and has three sections
  • section B provides a contrasting middle section to the two A sections
ABA1
Bars 1 to 27Bars 28 to 75Bars 76 to the end
In a major key with long melody repeated several timesIn a minor key written with a new melody played mainly in the bassA shorter version of the opening A section
ABars 1 to 27
BBars 28 to 75
A1Bars 76 to the end
AIn a major key with long melody repeated several times
BIn a minor key written with a new melody played mainly in the bass
A1A shorter version of the opening A section

Melody

Chopin has written the melodies in the piece with some of the following devices:

  • features, eg a septuplet is preceded by an as displayed in the excerpt
An extract that includes an acciaccatura in the left hand of the piano.
Figure caption,
The melody of right hand of the piano is decorated with acciaccatura
  • the opening four bars of section A contain rises and falls in
  • the section A melody is predominantly
  • Chopin uses in his opening section melody
  • in section B the treble clef part plays repeated quavers whereas the bass clef part has a rhythmically longer melody left mostly in crotchets
  • section B also features that reinforce specific notes and beats in a bar
A musical excerpt that shows accent markings on the聽first and third beat of the bar.
Figure caption,
The accents are played on beats 1 and 3

Tempo and metre

There are many foreign terms written in the score which indicate the speeds to play at. Examples of each section's tempo include:

  • section A is marked , meaning that the music should be rather slow and feel held-back
  • section B is marked as
  • the repeated with variation A1 section is instructed to have the same tempo as section A
  • the metre is indicated by a \(\textup{C}\). This is the same as the time signature 4/4.
A bar of music in common time, divided into four equal segments.
Figure caption,
A bar of music in common time can still be divided into four equal parts