June 2003
Big Grin : Pete Dredge |
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| Pete Dredge by Pete Dredge. |
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Nottingham man Pete Dredge is helping to organise
the Big Grin Cartoon Festival, we took some of his precious time
to find out more about him.
See
Karl Cooper as a cartoon >>
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Interview
with Pete Dredge
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People have probably asked you this 100
times, but how did you get into cartooning?
I always enjoyed drawing as a kid and remember being fascinated
with the cartoons in Punch magazine which I used to look at
while waiting for a haircut at the barbers shop in the Black
Boy Hotel (sadly no more) in the early 1960's.
Determination, a thick skin, talent and luck all play
a part in forging a career in cartooning.  |
| Pete Dredge |
I used to draw silly cartoons to amuse my
school mates and I can remember writing funny captions to
classic paintings in History of Art text books.
This early anarchic tendency simmered
on the back-burner for a while as I went through art college
and later working in a design studio but came to the boil
again in 1976 as a 24 year old when I submitted some cartoons
to PUNCH magazine and they accepted three. I've never looked
back since.
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You're
involved in the Big Grin, how did it all start?
I can't claim credit for this. Blame local cartoonist John
Clark (aka "Brick") for putting the idea to neighbour Kate Fletcher
who organises the Wax Bar talk evenings. Four local cartoonists
were asked to give a talk and caricature WAX Bar customers a
couple of years ago and it went down so well that the idea for
a cartoon festival evolved. |
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Do you think the festival will go on year
after year?
There appears to be a lot of momentum behind the festival,
not least from the visiting cartoonists who all had a great
time in Nottingham last year.
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The fact that I'm still earning a decent living from this
precarious career, after 27 years, is an achievement in
itself! |
| Pete Dredge |
There are precious few cartoon events in
the UK so Nottingham does have novelty appeal as well as a
natural home in the Lace Market/Hockley area with the valued
support of such partners as the Broadway Media Centre and
the Galleries of Justice.
If sufficient funding can be put in place
to guarantee a further three or so years I see no reason why
it can't continue long-term.
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How does a young cartoonist get started?
Good question. It's a lot different from when I started out
27 years ago. There were more accessible markets on the news-stand
publications particularly for gag cartoonists in those days.
This is where most cartoonists would get
their feet on the bottom rung of the ladder but it would still
take some years to get established.
Of course today the Internet has opened everything
up and new opportunities abound alongside the more traditional
printed media. As always determination, a thick skin, talent
and luck all play a part in forging a career in cartooning.
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What have you been most proud of in your
career so far?
There are so many high-spots (as
well as lows):
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| Pete Dredge's birthday card design for
Radio Nottingham's 35th anniversary. |
First Punch cartoon sold, first Punch cover
commission, being involved with Private Eye for 20 odd years,
writing for Not The Nine O'clock News in the 80's and,of
course, helping get the Big Grin off the ground
in my hometown of Nottingham.
However, the fact that I'm still earning
a decent living from this precarious career, after 27 years,
is an achievement in itself!
ALSO, HOW COULD I FORGET?????? Designing Radio Nottingham's
giant 35th Birthday Card this year.
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